Tag: Blog

Wreck of the Week

This week’s Wreck of the Week pulls up an article on the loss of an old friend.

https://www.telegraph.co.uk/news/2017/07/11/land-rover-emerges-cornish-beach-30-years-sinking/

Ronnie Hanney drove his family onto the sands at Gwithian Towans Beach Cornwall on January 13th 1990. Completely misjudging the nature of the sands he was unable to extract the vehicle and was forced to leave it as the tide returned. The vehicle was said to be 22 years old at the time (so 1968). It was buried roof down in the sand and remains so to this day only the chassis re-emerging at intervals.

Please someone go extricate it and get it back to roadworthiness. (Mr Hanney is no longer with us and so is unlikely to be doing the work himself.)

My continual searches for new “rust in peace” items brings me once again to Ireland (Ireland was the location of the video in the last rust in peace).

This time a forum with several pictures of cars left to rust away. Despite enquiries no one seemed to be aware where any of the cars actually were. Rather like the YouTube videos that we’ve been watching no chance at all of dragging them out of a hedge and rebuilding them.

Talking of YouTube videos:

This is not the world’s greatest collection and very oddly arranged a very sorry sight indeed. The Americans do seem to be doing this kind of stuff in greater volume than anyone else as far as I can tell. This time there is barely a spare part worth saving as far as I can see. Mostly they are ghosts of former cars just two steps away from compost.

It’s very sad, especially as some of them look like such interesting vehicles.

This week I was sent an article on classic nostalgia abroad. This was obviously something to tempt me to use a travel company’s services. However to me it is fantastic to discover that all around the world people are in love with their cars. Long may that remain the case.

And so to the main subject of this week’s Wreck of the Week.

https://www.ebay.co.uk/itm/302635020119

I’ve no idea what it sold for, it’s concluding label being “This listing was ended by the seller because the item is no longer available”. I take it that the car was listed elsewhere and someone made an offer that couldn’t be refused.

The text states: “Morris Minor

All glass

Gear box

Back axle

Lots of parts on the shell

Comes with v5

Good back wings

For more info call me on

07766542098

Can assist with loading”

In the (now standard for auction site listings) shouty text – I’ve muted it to save your ears.

It was located in Hereford but that’s a large place and there are no other details for me to give you a better map of location than this:

As a classified ad there is no bid history and so no clues as to the keenness of people to have an ingot of automotive history.

(It was originally listed at £250.00).

As far as I can tell it looks good only for parts – and a lot of those were missing. Let’s have a look at her to see what I mean.

There’s a measly 5 images with this listing I’m afraid which is little for us barn-find adherents to hold onto.

So the now standard – (probably has an ISO number) approach to car listings:

1) missing paint – tick,

2) interior used as a shed – tick

3) items resting on roof – tick.

On the face of it much of the car is sat inside it, if you were looking to perform a restoration then you would want some kind of assurances that all – or at least most of the parts were there.

As someone remarked on a classic car programme recently – “all of the parts are never there”.

As you will see later, this shot is beautifully framed and does not in any way prepare you for the quantity of work that is inevitably going to be required.

And now it becomes plain, what there is of the car does not look that bad. The downside being that you only have half of the car.

Given the inner wing on the driver’s side has been sawn off – getting it true and level to the original specification is going to be work taking not a little skill.

Whoever bought it must have felt themselves equal to the challenge. More likely though the buyer had a Morris Minor in better shape but requiring a few parts that this one could supply.

So front end rebuild, new inner wing, valance, outer wings, bonnet, engine, headlights, engine ancillaries and no doubt a whole gamut of items I haven’t given thought to. Sheesh.

Still as we have seen on a previous Wreck of the Week the value of these Morris’s is down in the weeds and it is a brave person who will take one on. The cost of restoring will soon gobble through any differential between its price and the price of buying a good one.

I suppose that there are less outcries of “sacrilege” should someone wish to improve the performance with an engine swap; update the brakes or install a supercharger for example.

I’m rather in favour of people being able to make their cars just how they want them, so maybe the low price of entry is a passport and not a barrier.

I recently met a man who had restored a MKI Escort and sold it to pay for his daughter’s path through university. Another man spent hours of his life restoring a Capri and then sold it – to the shock of his friends.

Whilst the high price of the blue badge ensures that many more are recovered. It also ensures that several people are unable to get a historic Ford due to the high cost of entry now.

And some who have cherished cars find that they now need to sell them to fund other life events because there is now so much money tied up in them. It’s like the story of the elderly people who now have to sell their house (even if to an equity release scheme) because the one thing of value they have left is their house.

Perhaps Morris will become the unsung heroes of the classic world, cars the average man can still buy, tinker with, modify, and ultimately sell without the kind of fear that wallet-breaking prices can engender.

Looking at this I have a sense that whoever bought it might have wanted spares. There are a fair number of spares in that car, including the odd panel; it probably means that this one is not going to see the highway again.

In many ways if it had not been laid about with the plasma cutter it might have been rescuable. There have been some shocking cars we’ve seen in Wreck of the Week which optimistic sellers believe are recoverable.

Assuming that belief is sound – with only a little more attached steel someone might have made a go of this one.

Perhaps someone finished cutting the front off this one and made an interesting trailer of it. (Others have done this before  http://www.mmoc.org.uk/Messageboard/viewtopic.php?t=29444&start=15)

Well at least the claims that the rear wings are in good condition seems to be a valid one. Makes me wonder why it is chopped about so much; another Minor in need of those bits that have been excised maybe?

Well if you bought this car please share what it is that you intend to do with her.

 

 

If you liked this article why not follow this blog

Enter your email address to subscribe to this blog and receive notifications of new posts by email.

 

Credit to the property website from which the original idea (for Wreck of the Week) came:

http://www.wreckoftheweek.co.uk/

(What that site is to buildings this site is to Bonnets).

Fifty Special Things – Longthorpe Tower

When: 04-05-2015

Where: Longthorpe Tower

Price: £6 for two adults £4 for a guidebook

 

Review: Very popular – it was cold the day we went but there were still a number of people there.

Tip: Opening is restricted – limited to weekends and bank holidays – check the English Heritage site before setting out.

This hasn’t been open long, I found it had opened in 2013 by Dr Janina Ramirez (famous historian and TV presenter)

We were determined to go see it because of the well preserved mediaeval artwork. We visited on a bank holiday monday – one of the few that it opens during the year – don’t turn up on a weekday.

We have been National Trust members for a while but haven’t yet stretched to being members of English Heritage as well. If you do a lot of ancient building exploration joining would be worthwhile.

Patience is the order of the day if you want photographs of the walls inside the tower. It was very popular the day we went. I imagine that remains true throughout the year due to the restricted opening times.

Second Floor

The address is Thorpe Road, Peterborough, Cambridgeshire, PE3 6LU. However parking is in St Botolph’s church car park. This is no particular hardship as long as you are reasonably mobile. However bear in mind that access to the tower is up a set of external stairs.

The tower is the only part of the site that is accessible as the rest of it is still in private hands. Whilst I’m sure it’s lovely to live in such a prestige location I’m not certain about lots of visitors traipsing past your door every day.

The tower was apparently originally built by Robert Thorpe who was a lawyer. It was an addition to an earlier house.

The tower is a solar tower – added around 1300 but is unusual in that they were usually added to grand houses – possessed by nobles – rather than someone from the legal profession.

The tower or solar contained Thorpe’s private apartments, the second floor contains Thorpe’s bedroom. Thorpe was a Steward of Peterborough Abbey which at the time owned nearly all the land.

As an official of the cathedral Thorpe would have been a well-respected professional in his day. However he is the mediaeval equivalent of a man made good (from humble origins). Thurstan De Thorpe was still a (villein) serf to the manor at Orton Waterville until 1200 (or thereabouts).

However by 1226 his son William was able to buy the manor at Longthorpe. No one seems to have dug too deeply into how they got their cash…

This site however speculates that with education it was possible to elevate yourself (even in an era when to pass yourself off as gentry was illegal).

The family seems to have loved that habit of naming the son after the father: William begat William who built the manor house and the church whose car park you used on the way in. Originally St Botolphs was on the edge of the village. It was for the use of the manor originally but now is the parish church.

Second William begat Robert (which would be easier only Robert then begat you guessed it – Robert).

First Robert is the one we have to thank for the solar – it is a scaled down version of a similar construction more frequently found in castles. Robert became enriched through services to the nearby abbey. However by 1320 was working directly for Edward II. (He received a knighthood).

Second Robert became a steward to the Abbey like his father and the wealth continued. It was he who commissioned the paintings, which were painted around 1330.

As a defensive building it is sadly lacking (Robert was attacked there in 1327 and held to ransom). It was designed to show off the owner’s wealth and status – this it does rather better.

It is likely that connections with the Abbey allowed Robert access to artisans with significant skills (such as those commissioned for work on the 1st floor). However the skills are somewhat variable as some paintings are better executed than others.

Sadly it wasn’t to be for the Thorpes – although the building remained with the family, the final Thorpe – William – died without children in 1391.

Thereafter it was a second home for a while for John Whittlebury. This family retained the house from 1391 and sold it  to the Fitzwilliam family in 1501.

The Fitzwilliam family retained the house thereafter – the tower alone was gifted to the nation in 1948. This was probably because it required some quite expensive structural work which was taken on by the then Ministry of Works.

It is a great shame that the adjoining buildings can’t be viewed as well. After all that history one would imagine that they are magnificent.

The ground floor is unpainted and historically would have been used for storage. (The painted room is on the first floor). But you can’t get into the ground floor in any case.

The second floor is also unpainted but has some interesting displays including this helmet.

On the day we went (probably for everyone on reflection) we were invited to lift the above helmet to discover how heavy it was.

It is extremely heavy, how a mediaeval knight managed this together with a suit of armour I do not know – they must have been very hardy types.

This is the stone seat of a Garderobe – this is a basic form of mediaeval toilet.

Given it’s on an outside wall and would have been exposed to the elements I couldn’t help wondering why the seat wasn’t wood faced as it must have been very cold in winter.

Apparently a good cure for moths was to hang clothes in the Garderobe as the smell deterred them.

The word wardrobe apparently has its origin in this practice of hanging clothes in a small space.

As you can see mediaeval rooves were not hot on insulation the tile pegs can be clearly seen here. The house might be impressive but it doesn’t seem to have been cosy.

All the windows have been glazed over but historically glass would have been very expensive indeed. Certainly areas like the Garderobe were often left open to the elements in order to dispel the odours.

Rooftop views of adjoining buildings to which sadly there is no access.

The existing access is provided by a timber stairwell up through an enlarged former window. Originally the access would have been through a door (now blocked) to the adjoining hall. Additionally there is no direct access from the first floor to the ground floor storage area – access originally being gained through the adjoining building.

The adjoining hall is Grade I listed like the tower.

The narrow stairwell to the first floor.

It is best to avoid people on the way down – passing on those stairs would be challenging.

I didn’t find the rope of much assistance. Pushing against the wall whilst muttering “steep stairs piggin’ steep stairs” in the end being much more efficacious.

An arrow slit on the main stairwell – now glazed.

How on earth did servants get up and down these stairs whilst carrying things? I’m not clear if Thorpe liked to dine in his chamber but the kitchens were elsewhere in the site so it would have involved some trek if he did.

Small room off the recess in the second floor probably originally a latrine.

The First Floor

And so at last to the first floor, this is what the fuss is all about. After the paintings became unfashionable the walls were whitewashed over (around the time of the reformation). The paintings were thus hidden from view for centuries.

After a period of lease to the Home Guard in World War II the tower became part of a farm again in September 1945. The farmer (Hubert Horrell – a nicely alliterative name that) was prepared for decorating. He discovered sufficient of the pictures to make him believe that the tower was of importance.

He notified the owner (Captain Fitzwilliam) who thankfully recognised the importance of the pictures. He decided to fund an expert examination. He spoke to The Society of Antiquaries of London. Eventually a wall-painting specialist, Edward Clive Rouse was determined to be the man to start releasing the paintings from the layers of whitewash.

It took years – until 1948 – to reveal all of the paintings.

It is now regarded as one of the best preserved wall decorations of a mediaeval domestic building (in England if not in Europe).

Sadly the paintings are much faded now but are said to have been very bright indeed on discovery.

They were painted onto dry plaster using pigments including red/white lead, chalk or vermilion mixed with egg and oil. There is also evidence that some of the paintings were gilded.

Some of the depressed lines were made in the plaster whilst it was still wet.

Some of the detail that was evident at their discovery in 1946 can no longer be seen . Thankfully Mr Rouse was an excellent record keeper creating a small scale watercolour of every painting as he found it.

Potentially I assume this could mean that they could be restored. Something that has been done to great effect in some of the Egyptian tombs I notice.

This first floor room is believed to have been the great chamber for the manor.

It probably had several uses including dining room or reception room. The paintings were therefore for the purpose of impressing guests.

The West Wall

This is the Left hand side of the west wall. The west wall consists of a large alcove with a tiny window offset to the right hand side.

This leaves a large expanse of wall – now painted.

However remember that the paintings date to some-time after the building was erected.

Nonetheless this design seems to indicate that painting the walls was always in the plans. Otherwise why leave this large expanse of wall space and such a small window.

The tower has suffered subsidence in the past which lead to some alterations although it is believed that originally the North wall looked similar in construction.

The above picture shows 4 figures on the arch which are identified as the labours of the months – only 4 can be seen here starting with January at the bottom and moving up to April.

The months have an inscription (where this survives). January is said to be a man warming himself by the fire. February is too destroyed to be certain. March is a man digging. April again is damaged but it is speculated that he may have held flowers. This is in common with depictions at the time of rural people and what they were doing in each of the months.

The only other month that remains is December (the other side of the arch).

Close up of the lower left hand side said to be a pecking bird and the upper part of the door in the South wall that used to lead into the great chamber but is now sealed.

The upper picture is said to be St Anthony. Part of the inscription survives. St Anthony is the figure standing praying – asking how to find salvation. Opposite him is an angel sitting making a basket (working) and an angel behind stood (praying).

Overhead – now largely lost was the head and shoulders of God watching from above. The answer to his question – you can find salvation by praying and working.

The inscription read “do thus and you shall be saved” (apparently SIC FAC ET SALVUS ERIS) apologies to anyone who actually understands Latin.

St Anthony was the patron saint of basket weavers which is perhaps why this was the illustration chosen of work.

Alternatively Peterborough is considered the gateway to the fens and basket weaving has for a long time been considered a Fenland craft.

Two rabbits can just be seen behind Saint Anthony although these are less well done – appearing more like Disney Rabbits than real rabbits.

The border below is quite faded but apparently represents textile. It contained images of a lapwing and owl and a parrot apparently although you may find it difficult to pick those out now.

The two large figures are said to be a teacher and a student with perhaps the teacher wearing a doctor’s cap.

To the left of the teaching scene, on the walls of the recess. From the bottom of this picture: a square niche in the wall, above it a Heraldic Shield, above that a creature (mostly lost) and above that a heraldic banner.

Continuing to the left of the teaching scene, further up the wall on the same side. On the right hand side of this picture can be seen more heraldic banners, to the left a figure (unidentified).

On the West wall the lancet window is small and to the extreme right hand side (North). The window was apparently placed so that painting could be presented on the remainder of the wall. This is an alcove to the right of the window – 2 figures and an inscription which is now hard to make out.

The figure on the left wears a garment with a hood, the figure on the right is said to be a child. The hooded figure is saying to the child “Our Lady will absolve us from sin” (NOTRE DAME NOUS ASOUDRA DE LA PECHE)

This is the Right Hand Side of the West Wall said to be representations of a Bittern and of a Crane. (The Bittern is the uppermost picture). These were apparently not often painted from life but from representations of such creatures found in a bestiary.

The left hand side of the window in the West Wall this is said to be Saint Paul In his right hand a sword in a scabbard.

A close up of the same image.

The East Wall

In the upper part of the wall two figures address one another. The one on the left has been almost completely lost (some of the foot can be seen The figure on the right is complete. He is holding gloves and has a dog standing behind him, however the inscription which would have told us what this meant has now been lost.

Below him is a person in a crown standing behind a wheel. This is called a wheel of five senses and originates with Aristotle but found this form in the 13th century. The rim of the wheel has on it a Monkey, a hawk, a spiders web, a boar and a cockerel – of which the monkey (though partially missing) seems the best done.

These had the following meanings:

Monkey – taste

Hawk – smell

Spider’s web – touch

Boar – hearing

Cockerel – sight

The artist made a mistake with the cockerel and his first attempt can be just seen above the current version.

At one time the wheel would have had inscriptions which indicated what it meant – these are now lost.

It is believed that this means the five senses need to be regulated through reason and restraint.

To the right are two damaged creatures said to be hounds and to the left a damaged creature said to be a squirrel.

It can be seen here that the Boar is not very well done (could easily have been an overweight dog). The remnants of one of the damaged hound pictures can be seen.

Above on the ceiling is a representation apparently of an organ player (a mobile or portative organ with 16 pipes).

Close up on the Spider’s web which could as easily be a dartboard I suppose or given the date more likely an archery target.

Above the doorway can just be seen a very faded set of pictures said to be of the apostles.

This image is in the recess for the current doorway (which was a lancet window). It was enlarged to make space for the current doorway.

This picture appears above a doorway that would have led to a latrine. It is a picture to remind the viewer of mortality and was popular in mediaeval times.

Baased on a 13th Century poem originating probably in France. The legend is that 3 men meet with 3 dead and the 3 dead urge them to repent. The poem may have first been told by Baudoin de Condé a minstrel attached to the court of Marguerite II, Countess of Flanders in the 13th Century.

In this representation the first king is now lost, the second has a red crown which you might be able to see, the third is the one speaking with his finger raised.

The three dead startle the three kings and the kings rebuke them for this. But the dead state that they are the king’s ancestors and question them about why they have not said mass for their souls.

The message is designed to point out how fleeting is the existence of man and hence provide a moral message.

The three next to the king with the upraised finger are now in black but the pigment was lead which has oxidised with time, originally they would have appeared as in white shrouds. The last though is without a shroud – naked – and covered in maggots.

Above the current entrance door there is an aperture cut in the 1940s to expose the remnants of the original lancet window. The current entrance was enlarged in the 17th century and is now back in use. It uses a wooden staircase constructed in the 1940s. The hole which you can see here (when viewed from the correct angle) shows the original construction.

The figure just before the hole is said to be one of the apostles. (The Halo is visible – potentially at one time having been gilded).

To the left of the apostle above is this image of an apostle on the same wall. There is no indication as to which apostle is which. This one appears to be writing I think. Traditionally an apostle writing is generally thought of as St Paul – after his letters to the Corinthians and so on…

Facing the current entrance (I.e. looking towards the east wall) there is a niche just inside the door on the left hand side.

It is of a bearded man teaching three pupils the only discernible word when uncovered in the 1940s was apparently OREILLEZ which may mean “hear me” in old French.

The North Wall

This is the Right Hand Side of the North Wall, uppermost is the second half of the “seven ages of man” the last figure is the easiest to see with a crutch he is decrepitude above him is old age (said to show a man with his life savings).

Above you can see the entire seven ages of man of which a great deal is lost. It starts at the left hand side with an infant; above this is a young boy with a spinning top; above that is adolescence but of which little can be seen.

In the centre top is a youth with a hawk; descending the right hand side is manhood – with a sword; old age – with life savings and decrepitude – with a crutch.

Beneath the 7 ages of man is a depiction of the nativity which has been partly encroached upon. (The window was widened in an attempt to counteract subsidence).

Originally it would have been a small window as for the west wall seen above. However what remains is Mary seated on a chair with Jesus. The missing part would have shown the crib , the ass, an ox (parts of these can still be seen).

The ceiling above the North Wall upper left of this shot is a partial figure believed to be a cymbalum player.

In the other quarter of the vault is the Eagle of St John and beneath that the figure of St David. To the right a Psaltery player.

The South Wall

This is the left hand side of the south wall. Above is a coat of arms said to be that of Edward III.

The border was originally of the Thorpe coat of arms and at one time was gilded – not that you can see it now. Apparently fleur de lys were once visible here – but you need better eyesight than mine to make then out now.

Below the border is an alternating checkerboard pattern said to be painted to look like a hanging cloth. It is likely that this once was behind a high-backed chair that sat against the wall in this position.

This is the right hand side of the South wall uppermost is the arms of Edmund of Woodstock. He was the Earl of Kent and a half-brother of Edward II. He was executed following a planned rebellion against the regent Isabella (after the king was deposed).

The Earl is considered to have been Robert Thorpe’s landlord and so it is likely this is the reason for the inclusion of this coat of arms.

Beneath this something which is much more fun, it is a Bonnacon. You can just see the arm and bow of an archer and the rear of a beast that appears to be ejecting poo in his direction.

Apparently you would be foolish indeed to shoot upon this mythical beast which despatched its victims with flaming ordure expelled from its behind with some force.

The Tower

This is one of the buttresses – showing that the knitting together of the walls is no longer that exact.

Buttress and wall look close to separating here – further evidence of subsidence damage probably.

Here you can see external cracks visible in both North and East walls.

Above the current entrance – the outline of the former lancet window which was enlarged to make this entrance can be clearly seen here.

Visible subsidence cracks on the exterior – work to attempt to remediate these resulted in thickening to the north wall and a change to the window aperture.

This is further up the same wall showing that the cracking extends up to the Battlements.

It is a fascinating place and I have had plans to revisit. Indeed given the gradual fading of the artworks (and no obvious sign that they are to be restored) it might be as well to visit sooner than later.

If you are not of the historic nature (but your partner is) you can indulge them and chill afterwards in Thorpe wood which is nearby.

On that day on May it was beautiful and I have no doubt restful at most times of year.

 

If you liked this article why not follow this blog

Enter your email address to subscribe to this blog and receive notifications of new posts by email.

Wreck of the Week

This week expansion of the “wreck of the week” concept to embrace the whole world continues with the United States.

http://www.oldcarsweekly.com/features/smashed_dashes_and_crumpled_fenders. A site which uses the term “wreck” to mean involved in a body-altering accident. It shows how many uses the term can be put to. Some of the cars here are a mystery to me, not having my nostalgia from the correct side of the Atlantic. However my more general sense of sadness at the loss of something once great is certainly called into ascendancy by this site.

This week I found a “rust in peace” in Ireland. It is also a YouTube Video so kills two birds with one stone.

Instantly I must apologise for the dire soundtrack and that the guy filming it was trying to catch a bus at the same time. If I were you I’d mute it before clicking on it. I haven’t found a way of playing videos at a slower speed though.  Any technical person’s amongst you who have solved that let me know.

Yet again no idea where any of these cars are and so we must assume lost forever.

I notice that some images in that video are suspiciously similar to one another. I think some vehicles feature more than once. Hey he put something interesting on YouTube so who am I to criticise.

The Wreck of the Week for this week sold at a price that is within my reach. But given its condition it was going to cost a great deal more by the time it was restored. My partner thinks it needed a miracle. Perhaps not quite but some serious hard work certainly.

Of course the value reflects the fact that it has a blue oval on the nose.

https://www.ebay.co.uk/itm/192451887410

It excited a mass of interest with 27 bids from no less than 13 bidders. People really wanted this car.

The seller was located here:

But the listing states the car location is in West Bromwich B70 which is here:

But is such a massive area you might as well say it’s in Somerset.

It was an interesting car not only imported but actually left hand drive.

Usually I anticipate that people import cars because the cars have spent their life in the blazing sun. Thereby barring a bit of faded paint they need very little work.

The seller (who we assume was open about its faults) lists the following as needing some attention:

“Shell needs a lot of work, sills and corner of the front floors. As it’s a 4 door it’s up for sale with no reserve still a good base to build something out of has all the running gear in place.”

Remarkably he also states that it “comes with a spare roof”.

Given a car stands upright and water falls from above, descending under gravity; normally the sills, floorpan and wheel arches lead in the rush to become one with nature. Once the roof has gone then really you’re dealing with merely compost and memories.

Thankfully it looks like the needed bits of paper have been considered already, unlike some we’ve seen. He states that “Imported, on the nova list, comes with all necessary paperwork to register, no import duties to pay.”

What we don’t have here is a story. As mentioned in previous wreck of the week articles the stories of a car’s history are in many ways its most appealing aspect. It went to Spain with a little old lady who took it drag racing at weekends, that sort of thing.

In fact we do not even know which country it was imported from. Given the need for a new roof I assume Atlantis.

Unhelpfully it is listed as 1966 (sellers please list the full first registration date). There is no visible number plate so I am guessing pretty nigh impossible to derive the full first registration date from any public sources.

I did not know that even though it is tax exempt you still need to apply for a  tax. But apparently if registered pre 1977 now there is tax to pay. This seems tempting until you recognise the incredible rate of attrition of cars that age. Finding a drivable one which is still affordable will be your first challenge.

Teeth grittingly he also lists it as MOT exempt. For my views on MOT exempt see a previous wreck of the week.

He states “Mot exempt from May so you’re able to register it as is and fix it up as you go along. You can even drive it and keep it on the street in this condition like a rat look beetle if you wish”. This sounds jaw-droppingly irresponsible (although I’m sure it sells cars). The car if subject to MOT would have to satisfy a number of safety checks before you can use it. Because it doesn’t need those checks, hey just drive it who’s going to notice?

57 demerits to the seller on that count alone.

So with a heavy sigh let’s have a look at her.

Firstly do not adjust your sets, the quality of the pictures really is of the “soft focus” variety. Given this is usually reserved for pictures of a quite different nature I assume it is not deliberate.

It looks like it has been stock car racing in which the emphasis was on lots of body contact. Where can we find a straight panel?

The LHS front wing looks beyond recovery, the door seems held in with straps, the glass (save the quarterlights) entirely absent.

The bonnet is making a break for freedom, the rear subjected to a bizarre origami experiment.

An odd chunk of metal seems to have been deliberately excised from the  RHS front wing with no obvious purpose other than to disfigure the car. The passenger side door (remember it is LHD) is attached with straps as well but at least superficially looks a useful panel.

The rear door seems to have been the loser in a door kicking competition. The door might be saveable, the wing doesn’t look like it.

From what we can see the headlining is waving the white flag. Given the presence of overriders I’d say the front bumper is inside the car.

Aha the need for a roof becomes plain, my goodness, what has been done to the poor thing. It’s possible it was rolled. Alternatively it’s been in some sunny scrapyard with another vehicle on top of it. Unearthed no doubt due to the escalating prices the Ford badge now attracts.

Even in this state it fetched £1,500.00 (roughly $2113 or €1724), which makes me wonder what on earth is a four door MK1 Cortina fetching now.

Ok here’s a similar one https://www.carandclassic.co.uk/car/C957714 currently at £31000 (roughly $43662 or €35632) pheweee.

Ok now it all makes sense.

Various parts seem stuffed inside (together with a lot of glass granules). However even with my really strong glasses I can’t tell you what they are. In this shot even the intact rear has suffered a big ding on the LHS . There are no rear lights and judging by the vacant hole in the rear no fuel tank either. It is possible the  LHS rear door is saveable however.

Not exactly well disposed with photographs this listing (not that it affected it selling apparently). This is the last photograph in the series. If you remember the  Cortina GT estate you will recall how shocking the state of the bulkhead was. Kudos to whoever bought this – the engine bay is in good condition and remarkably the  strut tops look intact.

Unsurprisingly the LHS front wing looks the worst.

I’m not certain if any of the mechanicals are saveable or how much is there, possibly a carb and a dizzy, parts of the brake system and a rad. However I think it safer to assume at the very least it’s going to need refurbishment and very likely replacement.

So we’re talking a guy (or gal) who is either to metal what Michelangelo was to marble or someone with very deep restoration pockets.

If you are that miracle worker ahem I mean purchaser let us know what you intend to do with her.

 

 

If you liked this article why not follow this blog

Follow The Procrastination Pen on WordPress.com

Credit to the property website from which the original idea (for Wreck of the Week) came:

http://www.wreckoftheweek.co.uk/

(Unlike that site, which is about houses, this series of blogs is and will be all about automotive ancients).

 

The Art of Procrastination

With a blog entitled “The Procrastination Pen” I suppose it is reasonable to expect that at some stage there would be something on procrastination.

To be honest the naming was something that came to light after several days of brain stretching. It was only fixed after I discovered that all my other great name ideas were already taken.

(This is fairly familiar, see my discoveries about the use of the term “Wreck of the Week”).

It was all going swimmingly until Amazon launched a product which is actually called a  “Procrastination Pen”. This consigns my little blog to low down in the Google search results.

Anyway enough of this – suffice to say that the title “Procrastination Pen” was in the search for a unique blog title rather than some manifesto of intent.

However it is not a title without aptness. Throughout my life I have struggled with procrastination. At times I would rather clean the toilet than embark on the task that I regard as the most important. During revision for the various exams I have undertaken in my life I have dusted, hoovered and tended the garden to avoid picking up a single book.

And so it was with great embrace that I greeted the book that is the subject of this post.

If like me you have symptoms of procrastination in your life I recommend that you buy this before any other book on the subject.

Procrastination 1

Bookfinder

My copy is now very precious to me.

John turns out to have been a lifelong procrastinator of the advanced order. This puts him in a uniquely sympathetic position to other sufferers. He is the most positive person I have encountered when it comes to the treatment of procrastination.

If you want a flavour for the author’s style then visit his website here.

He raises the idea of akrasia (apparently originally from Aristotle). This describes why people will do anything other than the thing they are supposed to be doing.

He proposes that procrastinators far from being inefficient wastrels actually get a great deal of work done. However they get that work done whilst avoiding some other task.

Perversely they may be seen to be very hard-working and efficient as a result.

The major outcome of which is that being a procrastinator is quite positive and nothing whatsoever to be ashamed of.

Although he is perhaps the first to propose the term “structured procrastination” to cover this behaviour the first to write about it apparently was Robert Benchley in the Chicago Tribune in 1930. The article “How to Get Things Done” is now the subject of a blog posting.

Structured Procrastination

The benefits of structured procrastination (as opposed I suppose to doing absolutely nothing) is that it is feasible to get procrastination to work in your favour. A great deal of work can be accomplished whilst avoiding the task you really do not want to engage with.

The issue is that mentally (or physically if we can bring ourselves to be that organised) we have a list of tasks which we must accomplish.

Habitually a procrastinator will have the most important task glaring him or her in the face. He or she is quite prepared to exercise his or her self in the performance of tasks lower down that list to avoid that most important task.

The wrong thing to do when you have this mindset is to address the task directly. Worse still is to attempt to minimise the distracting tasks to focus fully on the main one. If you succeed then the only way to avoid the main task is to do something which is not constructive – watch the television, cut your toenails, pick your nose and so on.

One approach is to try to find another yet more important task and to mentally (or physically if it helps) add this task to the top of the list. Now you will be spending all of your efforts to avoid that task. Your previous most important task is now second on the list and is likely to receive attention to avoid the new most important task.

Alternatively, if no likely task presents itself, promote one of the less important tasks to be the most important one.

This means you have to fool yourself that this task is more important. As John points out we fool ourselves all the time anyway in the pursuit of procrastination so we’re already experts at this.

Perfectionist Moi?

Procrastinators are fantasists, unable to complete the task perfectly but nonetheless imagining that they are able to do so.

Finding themselves unable to complete a task to this imagined standard of perfection means the task does not get done.

That is unless the task has a deadline, in which case as the deadline passes guilt kicks in. The procrastinator attains a mad scramble to complete the task. In the process he or she gives his or herself permission to do a less than perfect job.

John states that we would be better using a task triage in this situation. Decide which tasks you can forget altogether, which you can forget until later, and which to start work on.

In the process decide whether a half-arsed job is sufficient or if a perfect job really is needed.

Lists

Surely the bane of any procrastinator and the subject of way too much time-management reading I’ve performed over the years.

Procrastinators keep lists – either mentally or, for the more disciplined, physically.

The lists are pretty pointless. The only reason they are created is to get the buzz from crossing things off the list. Hence the list grows with items that did not need to be on the list simply for the feedback of all those ticks.

Where lists do come into their own is when the procrastinator is faced with a task that he or she cannot face. Something so daunting that nominating some other task as the most important will surely fail.

Here the task needs salami slicing. Each component of the task listed out so that the procrastinator can approach it piecemeal.

The safest time to make such a list is just before sleep – that way you’re less inclined to be distracted.

Music

Motivational music is well worth having.

Personally I think that you can’t go far wrong with this:

You will have your own preferences.

Distractions

These are bread and butter for the procrastinator, email and web surfing for example. Avoiding these is not realistic. Set something that will interrupt you. At least you will stop emailing/surfing the web (or alternative distraction of choice) and do some work before the sun sets.

Desktop

A lot of procrastinators work by spreading papers across the desk. Do not resist this if it is you.

Putting papers into filing cabinets is an almost certain way of never dealing with those papers again. If you are not bound by a clear desk policy feel free to leave the papers exactly where they are when you stop working. That way you can instantly pick up where you left off.

Non-Procrastinators

Procrastinators drive such people mad. Non-Procrastinators are useful to have around. They will insist that you work in a non-procrastinating way. This can be very motivational (if hard on any relationship that you have with them).

Obsessively productive people may choose to do the tasks for you. Make sure that you contribute equally if so.

Positives

A surprisingly large number of tasks don’t need doing at all. By not working on them you gain time that non-procrastinators lose.

Some tasks find better qualified people to work on them and they also disappear from your mental (or physical) to do list.

There are many ways to spend time and many opinions about the best way to spend time. Spending time daydreaming may in the long run be more productive than writing that essay.

Procrastinators may ultimately find better ways to enjoy life.

Unpleasant News

Whilst John is positive throughout about the impact of procrastinators he does reference some material which is likely to bite a bit harder.

Procrastination: Ten Things to Know. (Read this if you’re a procrastinator in a really upbeat mood or a non-procrastinator who needs validation).

For those determined to beat their procrastination into submission John recommends this book:

Procrastination 2

Bookfinder

However as John concludes, procrastination is not the problem. You will only attempt drastic action against procrastination if you are unhappy.

It would be far better to work on the unhappiness rather than the procrastination.

 

 

If you liked this article why not follow this blog

Follow The Procrastination Pen on WordPress.com

Fifty Special Things – Cambridge Gin Laboratory

When: 18-02-2017

Where: Cambridge Gin Laboratory

Price: Free – It was a gift

Review: excellent way to spend a few hours, several different courses available

Tip: take the bus, and then you can spend the rest of the day in the bar next door.

I remember when I was thinking about how to make the fifty special things work that one problem was always going to be budget. Having made the decision to try to make my fiftieth year a special one, how do you afford it all?

So it was with great delight that I received a gift of a gin tasting session at the Cambridge Gin Lab.

It turns out that it is very popular, the day we went it was full up. I imagine other days are not dissimilar.

Gin 1

The Cambridge Gin Laboratory is at 10 Green Street, Cambridge.

Gin 2

There is a board outside to confirm location and a sign on the door.

At the time I was convinced that I was going to rule the world via the medium of blogging – such that there is quite a strong pictorial record.

Gin 3

Gin 4

It was around the time of this visit that I began to comprehend just how fashionable gin had become and just how many people were keen to get in on the act.

Gin 5

The lab is downstairs and is laid out with all kinds of gin-related paraphernalia.

Gin 6

Prior to the gin sampling itself there is a very interesting talk on gin and the history of gin from which I made a few notes.

Gin 7

Note the picture of the black Labrador on the wall, said to be the reason why it is called the Cambridge Gin “Lab”.

There are various events available including a tailoring option to create a unique gin.

Gim 8

Gin is actually juniper-flavoured vodka. The predominant flavour must be juniper. The juniper “berry” is used (which is technically a cone). No sugar.

The nose of gin is often described as “piney”. Juniper was used for medicinal purposes for a long time. However claims that drinking gin is healthy are sadly untrue.

Gin 9

A monastery used to distil wine and float botanicals in it and used this as a treatment. Drinking this though was not tasty so they started to sweeten it.

Gin 10

Traditional gin was produced in the Low Countries (Dutch) in the 15th Century. Jenever was their name for juniper.

Gin 11

The English fought the Dutch in the 30 years’ war. Soldiers began to be given alcohol before they went into battle – it became referred to as “Dutch courage”.

The English then started to make their own gin. The gin craze was between 1720 and 1751.

This could be thought of as the first drug war. In the poor areas of London 1/3 of households were making and selling gin. However there was lots of methanol left in it which is poisonous. Some sellers cut the result with turpentine which is poisonous.

They were drinking 80% ABV in pints – like beer. They became very addicted.

The Gin Acts 1751 started to legislate gin production.

William Hogarth 1751 creates two paintings Gin Lane is political propaganda intended to encourage people to switch back to beer (Beer Street).

Gin Lane
GinLane

Beer Street
Beer Street - Calle de la cerveza

Beer Street and Gin lane
Beer-street-and-Gin-lane

Gin was still allowed to be drunk however.

The theory is that Hogarth was paid by the beer industry to encourage people to drink beer.

The Gin Act was passed. After crop failures and attempts at alternative beverages – they eventually got better at making gin.

Alcohol fermentation, involving yeast processes on sugar, produces heat, carbon-dioxide and ethanol (together with other alcohols).

ABV (ethanol by volume) the maximum that fermentation achieves is 15% ABV. (You can heat the result to make it stronger).

To distil – put the alcohol in a still – heat it. It starts to boil and evaporate. The outlet tube is cooled in water (it is coiled to increase its surface area).

Simple distillation apparatus

Different compounds boil at different temperatures:
Ethanol 78.4oC
Methanol 60oC (ish)

You track the temperature and collect the low boiling point liquid and dispose of it, this is referred to as the “head”.

You collect the middle boiling point liquid and keep it.

You collect the higher boiling point liquid referred to as the “tails” and dispose of it.

In this way you get to concentrate what you want.

In vodka you remove a lot of the impurities, this produces 96% alcohol. In whisky you keep some impurities by retaining a greater heat range, this affects the flavour.

Gin started to be recognisably gin in the early 19th century – juniper is added during the distillation. Juniper flavour becomes incorporated into the gin.

They also started to use continuous distillation – here a huge still uses plates to draw off the distillate at the correct temperature range.


CC BY-SA 3.0, Link

Gin now starts to taste nicer – it becomes fashionable to have unsweetened gin.

London Dry Gin became fashionable – today this is a subcategory of gin.
London Dry Gin started in London but not made there anymore.

It is dry – not sweet – you must use real botanicals – these must go into the distillation pot and not be added afterwards.

Gin – is a shortening of jenever the Dutch for Juniper. Today other botanicals (plants) are used e.g. rose petal, cherry blossom, coriander seed, juniper cone.

These react differently to heat – the heat is high so the botanicals are added at different times – this is like adding ingredients in cooking.

You treat each botanical with the level of heat that suits it. The boiling point is related to atmospheric pressure – reducing pressure reduces the heat needed for boiling.

1 botanical is added at a time – you distil different botanicals. What comes out is not a gin, it is a flavoured distillate. Then you blend the distillates.

However it needs a basis of London dry gin. Therefore you can blend your own gin.

The distillery has 100s of distillates. It is tailoring gin to individuals, bars, and restaurants. You can use delicate things in gin e.g. cucumber.

Hendricks add the flavour afterwards – you can make a lot more gin this way – but not a London Dry Gin.

1 gin run takes 1 hour – there are 4 people in the company.

When we arrived we had a gin to start with which was a standard London Dry Gin with a fever-tree tonic. I rather liked this.

However we also got to use atomisers to spray gin directly into the mouth (well after some practice – the first squirt was directly into my eye). Atomisers contain the same spirit as the demijohns on shelves around the walls. They are used to allow tasting without consuming a lot of gin.

Brands feel it is important to be traditional – to have this as part of their brand.

Wheat is the basis of gin, potato potcheen (Poitín). Gin must be a neutral spirit – the basis does not have to be wheat, however if it is not wheat or potato then this fact must be listed on the bottle. Potato vodka is slightly oilier. Rye is slightly spicier (to a trained palette).

To make comparisons involves a system for tasting gin which needs consistency and needs a standardised language. Tasting is an ability that develops from training & experience. Room temperature is best to identify botanicals.

After the initial gin on entry and trying the atomisers there were 3 gins to try, these were sat on the table protected by glass lids.

The first apparently had rose and violet petals in it. The sequence is first mouth feel – it should feel somewhere between milk and water – medium. I have the palette of a straw bale I established.

There is no sweetness added – when you distil – sugar does not carry over, hence the distillate from pineapple has no sugar. What you can have is associative sweetness – this reminds you of sweet things for example florals gives this effect. (It’s all in the mind in fact).

It also had blackcurrant leaf – which gives a fruity flavour and basil, angelica, rosemary. Angelica is very common in gin – it is slightly spicy. In tasting you want to linger a little not too short.

You don’t have to prefer one that wins awards – as this is a measure of how well it is made rather than if you like it.

The Cambridge Distillery make different gins for different bars – Midsummer House has a herbal garden – we use those herbs in their gin.
Pint shop – Peas Hill we use peas in their gin.
College graduation gins – they forage for flowers in their garden – buy the gin which is unique to that year. Usually you have to go to the venue to taste their unique gin.

Japanese gin has become a retail product (this is the second gin that we tasted).
Nobu in London wanted one. It was made with a team of chefs inspired by botanicals used in Japanese cooking. This is light in intensity, the spirit is the same though. The botanicals are different, Juniper, cucumber, sesame, schiso leaf, almonds (it is marzipany), sanshō pepper (a bit perfumy), yuzu.

Botanicals are affected by the weather and are used seasonally. Each year there are seasonal gins. The ones in spring/summer are lighter. The ones in autumn/winter are more warming.

Each gin is therefore non-re-creatable. 100 bottles of each one are made and these sell quickly.

Autumn/winter gin contains bergamot. It has fennel in it, bergamot, rosemary, blackcurrant leaf, and juniper. It can manage a punchier tonic. They tend to use fever-tree as a good “go to” mixer…

The Dog – the black Lab is the lab dog Gin 12 he/she is why this place is called a gin lab Gin 13.

They capture the lightest 1% of stuff that evaporates referred to as the angel’s share of gin. They have made an angels share gin at £2000 a bottle.

They produced about 6 bottles, all sold quickly.

In addition to the tasting which we attended there is also available:

  • Histories and mysteries of gin session
  • Make your own bottle
  • Themed tastings

Given how great our session was these will also be worth a try.
Afterwards they give you a voucher to try a cocktail in the bar next door (accessible underground). The bar is on Trinity Street.

This is at 2648 Cambridge. Great cocktails which may make you want to stay.

As I say take the bus there…

Gin 14

If you liked this article why not follow this blog
Follow The Procrastination Pen on WordPress.com

Photo by Arvind shakya from Pexels https://www.pexels.com/photo/closeup-photo-of-clear-long-stem-wine-glass-724259/

The Neighbours from Hell

A very long time ago in a town far far away. (Well actually the same town but it didn’t sound as good) I was attending one of those how to get from a dunce to a fiction writer courses. The tutor was one of those types sent to inspire. He suggested that we write a story entitled “The Neighbours from Hell” where the neighbours really were from hell.

The pictures that this generates in my mind were so vivid that I was inspired to write various short stories all of them centred on the same subject.

See my earlier bog posts for more stories on the same theme. https://magic-phil.co.uk/2018/02/13/on-the-theme-of-hell/, https://magic-phil.co.uk/2018/02/18/the-neighbours-from-hell/.

I haven’t written one now for several years but do wonder if I ever grew a big enough pair to set about a book whether it might not be on a similar subject.

This is the next version of the hell stories:

Story

How did I get here? Where am I? I seem to be sat in an interview. A mere five seconds ago, I was walking up my neighbour’s path.

Ranged around me are six people in exquisite suits, finely tailored. This must be a prestigious position! What am I doing here?

The first man is leaning forwards his suit a delicate pinstripe in grey. Sombre, restrained, tasteful which belies the light from his eyes. The light is like insane excitement, almost techno-blue like the neon glow from a car stereo display. A light all gleam but no soul.

It must be the shock of the sudden change of scene, I feel disorientated; I look around bemused. I find that we are sat, cross-legged on a deep green carpet. It is a surreal and dream-like existence; not like any sense of reality, I am used to. Perhaps I am not awake at all?

The journey up that garden path, did I dream that too? It seems that as soon as I touched that door knocker…

Around us, other people lounge engaged with their own affairs. The area appears to be of all things a student bar. But if this is a student bar, these are the best-attired students I have ever seen. I feel strangely out of place in my carpet slippers and gardening trousers.

Now why was I visiting my neighbour? It seems now like another lifetime. Oh the noise, yes, that weird (and very loud) caterwauling emitting from the house. It had made my ears ache the second I had heard it.

So now, I am in a student bar? The furniture seems to be fixed around the wall vaguely like a sofa. But more utilitarian – perhaps an upholstered bench – in a very tasteful green.

The room punctuated by iron scrollwork screens. Each set at random angles to create interesting spaces for people to congregate. The screens have a Verdigris finish and stained wood surrounds. Each screen is a support for well-tended houseplants. A rubbery creeper here, a flowering orchid there. Each supports a shelf – waist-height of well-worn brown-stained wood. Like the surface of an old school desk; a meeting point at which others stand in active discussion.

Another thing strikes me; if this is a bar then why am I the only one holding a drink? I look down at what appears to be a large gin and tonic in a dainty wheel-cut glass – of a crystal so fine it is sure to ring with a tone fine enough for opera.

I look around and feeling my conspicuousness. I gulp the drink in the hope that I will gain some “fibre” from its contents. The bitterness of the draft grips my throat like drinking the entire bark rather than just quinine. I feel as if all fluid is drawn from my mouth.

Of a sudden, the noise hits me. I realise what has made the experience even more surreal – I have been completely deaf. Not a sound have I heard since this “dream” commenced.

The man before me is talking – he is staring at me with his gleaming eyes. I realise that he is talking to me

“Mr Blythe?”

“Oh, I mean, yes”

“I need to test your understanding: for the position you understand?”

“The position, oh, yes, the position”

“Now, as I was saying, you need to understand the database on which you will be working extremely well. If you satisfy the requirements then the rewards are high”

“Rewards, oh, ah, I mean yes, rewards”

“Now a design question; in which we will use the example of some gice”

Gice? I’m sure that he said gice, what are they? Does he mean mice?

“Mr Blythe?”

“Oh yes, sorry”

For some reason I feel that I have to pass this test, I have not felt the urge to ask where I am or what I am doing here. I am faced with a test and it has assumed all importance for me. Although I cannot say, what the test is for or what the penalty would be for failure.

“There are some gice in a carriage,” my interviewer continues. Immediately and without further description.

I know the carriage. It stands in my mind like a piece of art. A horse-drawn carriage angular and gleaming with a strength. As if it was hewn from solid ebony rather than constructed. The seats of deep-buttoned leather in a saddle-soaped burgundy. Each button lovingly buffed. The entire seat stuffed until bursting with horsehair. The wheels high and unadorned each spoke painted a gleaming black to match the body of the carriage. The horse-shafts slightly curving a deep black themselves. The whole, poised, stationary like some fantastic animal about to pounce. This carriage is no ordinary carriage.

The interviewer continues, “The carriage is in a corridor”

In my mind an endless corridor of gleaming white appears. The carriage is stood; the doors mere inches from the walls. The walls shining white like the interior of a brand-new hospital. Lit by some internal light banishing all shadow. The carriage is moving along the corridor at a fantastic speed. Door handles remaining a uniform distance from the wall. Passing intersecting corridors in a blur.

“Now Mr Blythe”

I come back from the vision so suddenly I can almost feel muscles in my head snap with the strain.

The interviewer continued, “How many objects are there?”

It feels like the weight of the rest of my life rests on this one question. I think so carefully that I can almost feel the fluff of lack of use drop from my brain cells as the mental cogs whirr.

I surmise that as he mentioned “gice” as a group that I can count them as one. The sense that a lot depends on my answer lingers. If gice are one then gice plus carriage plus corridor, must equal three mustn’t it? How do I know?

“Three” I respond.

Instantly all six people burst into laughter. My interviewer recovers first. The light in his eyes now somehow reflects deep concern. The light appears to be probing me, looking for the weakness that gave that answer.

“No that’s not right; it’s one.”

Suddenly I get understanding; it is like mentally finding the answer to an exam question. Lights metaphorically go on in my head. I sense an enormous rush of happiness. Akin to that of solving a difficult puzzle that has bothered me for weeks. I feel that I have long needed to know the answer to this question. It is strange, why do I feel such fulfilment? What does it mean?

“Ah, I see”

And I do see, although I can’t explain how, it is like the answer was just placed in my mind – the answer has to be one. And; from this understanding, I am now able to ask the interviewer questions of my own:

“So, how do you decide whether to put gice in a corridor or a carriage?”

The interviewer now looks at me approvingly “It’s not like that; it’s whichever choice fits the best”

“Ah, so it is an entirely pragmatic approach”

I realise that I am now able to watch myself from a distance. It is as if I am floating above myself, whilst also being inside myself at the same time. I am involved in the interview still. However, I am also watching myself in the interview as it continues. I can see that the interviewer approves of me – I get a growing impression that I have this position in the bag. But why? How do I understand the question? How do I understand that these objects together make just one? What is the database? Why must I work on it?

As I watch myself, I see that my delight at the understanding is growing. Finally, I see the six rise as if to leave. Rearranging themselves so that the magnificent suits settle into a smooth uncreased line.

I reach out and catch the arm of the interviewer; I stop him as the other’s leave.

“The one object, that’s the database isn’t it?”

He beams at me quite suddenly; it is like the sun suddenly shines in my world.

“You worked it out” and then he turns toward me.

We sprawl now upon the floor. The atmosphere of the interview has become very relaxed. We prop ourselves against one of the iron screens. I notice for the first time that a strip across the top of each screen is an inlay of stained glass. Approximately six inches in height composed of a flower motif in yellow, orange and green.

Sunlight now beams into the room. The stained glass gleams like an artistic snapshot of springtime. The sunlight lights the spot where we sit and chat in a relaxed style.

This is it – I have the job. I can feel delight and elation. The interviewer rises once more and leaves through a door. The door shuts behind him as if guided by a powerful spring. I approach the door but it has an air about it. Like a staffroom door to a child. I have a definite sense that I cannot go through this door.

I look back into the room, in the far corner nearly hidden by one of the iron screens stands a group of men in dark suits. The confidence of my new success buoying me I feel the need to approach, perhaps to swagger a bit. As I approach they look up, resentment obvious in their eyes. I get the feeling that passing this “test” is not all positive. Something tells me that having obtained the “position” I have somehow deprived these people. Not only that but I get the definite sense that I know these people from somewhere. But David Blythe would definitely have no memory of them. Why is this? Have I been living a double-life somehow, if so, why can’t I remember?

I turn to a man, youthful in appearance with shiny long dark hair. He has a familiarity as of a colleague that I have long worked with. He is glowering and his face darkened as if in shadow.

In excitement, I blurt out “who is that man? The man who interviewed me, what is his name?”

For some reason the unreality of my situation has ceased to affect me; perhaps, the drink? I am not sure. I am acting as if part of this scene, not observing it. It is as if I really belong in this totally alien place, performing unreal tasks.

The man looks up just once and catches my eye, I see the sulky expression; he refuses to speak. He turns away from me. One of his colleagues seems familiar. Unfriendly he indicates a large box of white-painted speakers.

I get the feeling that these are being removed. It is as if the equipment to which they were once attached is now redundant. They have the appearance of speakers that were once attached to a computer. Stained and well used. They could have been in a classroom used as part of a presentation; I get the feeling this is not insignificant.

Each of the speakers seems to develop a label as I view them. It is as if the labels are writing themselves as I watch. Each label has a neatly-lettered name on it.

The nearest set of speakers has a number of names, the first and subsequent lines untidily ruled out. The final lettering is “T. Bordure”. Unlike the answer “one” that brought great happiness, this label brings me uncertainty. I realise that I am guessing that this label is the correct one. I want to be certain. Nonetheless, the name associated with that brief script springs into my mind.

“Tim Bordure?” I enquire

Tim? How did I know Tim? How can I know the name?

It must be written down somewhere? Maybe it is part of my history at work? Work? Yes, that slipped into my head, work. I must have been doing something before to give me the experience for this new position.

I still feel uncertain about that name, have I identified the correct label? I determine to rush back. Back? Back to where? I must check that name; I must look it up on our intranet. Intranet? What Intranet? Where will I look up that name? Why must I look it up?

I must stop this; this can’t be real. I must think straight, I must find out what is real again.

I still feel like I just passed a significant test. I feel for some reason that I have been preparing for this test for a long time. Finally, I have understood, I have passed. But passed what? I can’t remember any preparation.

I am a Forty Five year old civil servant. I can’t remember preparing for anything in a very long time.

I feel certain that the six who just left are important, that having passed the “test” I will soon be joining them. However, I still don’t understand the glass – if it was gin why was I holding it in an interview? Why me alone?

I feel a sense of excitement and anticipation but mostly a sense of fulfilment. A sense of the mission ahead and that this “understanding” I have mysteriously achieved is a part of that.

*             *             *

I feel the itching in my eyes and blink. Oh, thank goodness it really was a dream. I felt sure it had to be it was so surreal. I am going to wake up back in my own life, beside Deirdre in our old rumpled bed. No test; no strange people; no “database”.

*             *             *

I open my eyes; there has been a change. I am not sat in the “student bar”. Neither am I waking from a dream to a small bedroom in Tunbridge Wells.

I am sat on a very hard orange plastic seat. There is a hexagon of seats. I form one side with another man sat a short distance to one side. I am facing other men.

The six of us I notice are myself and the five from the interview. But no sign of “Tim”. We are all silent and unmoving, facing forwards motionless.

My arms are resting quietly along the arms of a… what? I could swear the seat was orange and plastic. But now my arms are resting on a chair of tubular steel and black leather. It strikes me like a chair I have observed through the window of a local hairdressers. Even the chair seems to be unreal.

Into my mind hovers a vision of “Tim” as I last saw him beaming with happiness for me, I feel a great warmth towards him. The vision seems to blot out my mental objections to the situation in which I find myself.

My previous life with Deirdre is but a distant whisper in a melange of more strident voices. Central is this sense that I have a mission. That it is of overriding importance and that I have been preparing for it for a long time. But what is this mission? What am I doing?

In my mind, “Tim” continues to smile; but his face now begins to appear a representation. His smile more like a caricature. A clown rather than a warm human being.

“David Blythe, at last you join us”.

I look down at myself as he speaks into my mind and I see that I am now attired like the others. Gardening trousers, old faded slippers have metamorphosed into a sombre grey flawless suit. A suit that moves so smoothly I swear it was silk. The shoes gleaming enough to blind onlookers. But no onlookers – just the team of six.

In my mind “Tim” speaks again. Looking less and less appealing, the charming smile appears an animal snarl.

“So David, welcome to the purpose of your life. It’s been a long preparation but you have finally achieved the level which I knew you would achieve seven hundred years ago.”

Seven hundred years? What does he mean seven hundred years? No one lives for seven hundred years; surely, he knows that?

“Yes, now we have all six of the database administrators together. Finally the management of earth can come back on stream”

As he announces this confusing message the man to left and right of me grasps my arm in a tight grip. I felt a sense of panic rise. A dark foreknowledge of what is to occur. I see in my mind frightening images, which I do my best to dismiss.

I look to my left hand and I see that the flesh of my fingers is extending as I watch, one part of my mind hysterical. One part, an older part, calm, expectant. The growth is amazingly rapid.

Then pain begins. A sense of stretching, then a burning tearing sensation. As I watch, my finger ends rip and inwardly I scream with agony but outwardly, I am calm, silent. I see that my fingers have found my neighbours – also extended like my own. As they find them the finger, ends fuse and thicken to form a five-pointed cage of flesh and bone.

Strangely, I begin to embrace the pain to draw it into myself like a possession. It is like a smoke-ridden breath to an addict. Deeply pleasurable but also dreadful and frightening.

Now the skin, blood and bone of the two limbs rushes together. The five fingered birdcage completed, but growth still continues; nerves fuse. Sensory pathways between our two minds now become one.

I begin to receive pain, an almost intolerable level of pain. This is not my mind, I am receiving the pain response of my nearest neighbour now fused with me.

His mind is an inner scream of agony and suffering. For some reason I am able to deal with the sensations more rapidly than he. Over time I can see beyond the wall of pain. I begin to receive his thought, his memories, his desires.

Beyond the pain is regret. Time wasted, things not accomplished a knowledge that he has reached the end and never lived up to his obligations.

I realise that as I receive this “broadcast” of despair I am broadcasting back one of my own. Mental images of the time that girl rejected me at school. The sense of failure when I was redundant. No happy thoughts seem to escape me.

I have no time to think. I begin to receive more images. I realise that my other neighbour is now linked to me as well. This man is quite different. I find that the link between us is an unbreakable curse.

Toby has been a murderer all his life. He feels great pleasure at the inflicting of pain on others. I can see the many people he has tortured and abused. The sense of despair in their eyes as they realise that they are about to die. Then the cold blankness of their eyes in death.

I cannot escape him; he is now one with me and I with him. I can see the blows in detail that he meted on those he battered to death. I feel his exaltation at the powerful feelings this raised in him..

I realise that now Toby and Neil are a part of me, I am a part of them. I am now the murderer, his feelings of pleasure are also mine, we are one. One, the answer to that question that got me this “position” one, I reflect bitterly.

I now can feel the mind of each of the six in the ring, each in pain, each filled with regrets. We are now linked as one organism into a flesh and bone ring. Some minds are sadistic, some deluded but no happy mind do I receive.

I realise that as one we have the collective ability of six united. This collective must have great power of thought and of mind. Each memory is mine as much as my own. I can think with their thoughts. Recall their memories and they, can do likewise with mine.

I am filled with the guilt not only for my own misdeeds but also for those of the other five. Between us, we have “sins” of such great gravity and breadth that no single man would have had time or imagination to experience. Now I feel them and remember them as if they all belong to me.

I begin to mull over this past in deep shock. I cease to perceive with my eyes or ears. Living only inside in the darkness of this new world. I am saved from this by a sharp tug on my pain stretched arms.

The white room is moving at some incredible speed. The walls begin to slide down as if a partition rather than a part of the structure. Around the room, there is only darkness.

I have the sensation of sitting in a square of light consisting only of ceiling and floor surrounding by impenetrable black.

As I wait, I see approaching from out of the dark another square very like ours. In fact it appears to be ours, approaching so fast.

Initially a faint dot – almost unperceivable but upon us in moments. Docking with our room at lightning speed. The jolt sends fresh waves of pain through the ring of which I am a member.

The ring is a mirror of ours – I can see myself facing me, and close to me my neighbour Toby but this cannot be. We cannot be sat in two places at once.

As I try to understand, to get control of my mind I see a small child, walking across the darkness. Her feet resting on dark, walking through the dark towards us.

She is a barely four feet high and clad in an almost see through full-length shift. But as she approaches, I see that her pretty form is marred. She has no eyes. The sockets burned out and glaring red.

I want to scream but I seem unable to do so. My mouth will not open. I mentally recoil as she grasps the place where the hands of Toby and I join. At the same time with her, other arm she grasps the ring that has now docked with us.

It is then that I have the realisation that I had not seen the ring approaching with my eyes at all. In fact, the ring was behind me. I have seen the approach through the eyes of the man opposite. It was hard to think like this now; I was not thinking “us” so much as “me”. My ring of six was now me and I was it.

Then a new pain. I realise that fresh flesh and bone is forming between the ring in which I am sitting and the other ring. The child seems to take no part. As I struggle with the new pain, I realise that I cannot sense her. She appears to have no mind; in fact, she appears not to exist.

As I wait, the girl detaches herself and walks away across the darkness until it absorbs her slight form.

The two joined rings allow me to feel the other me. I can feel me as a happy and positive man. I can feel the sensation of the first time Deidre and I went out. I can feel the satisfaction at getting my first job.

The two halves of me are at war. It is not just my war. Each of the men in my ring aggressively responding to this new invasion. Electricity sparks across the interface between us. Twelve minds attempt to destroy one another.

But the war has just begun.

Even as I battle my other, self I see approaching a third ring of six. As this one also docks at lightning speed. I sense all six minds in my ring unite in despair at the new arrival. Mental images from the other ring are of welcoming expectation.

From the darkness, this time emerges a boy child, dressed again in a sheer outfit like a shift or nightgown. Again, he has a face ruined by burning.

He grasps the place where the hands of Neil and I join and with his other arm grasps the ring that has now docked with us.

As we fuse I feel the pain blank out my mind for a while. I feel a sense of our imbalance, the sense of war between the two halves and in the third ring judgement. Like the sensation, I had in the interview of watching myself. The third ring is watching the war between good and bad and judging us.

The bad hates the judgement. The good welcomes it. The sense of the warring parts of self escalates until the junctions between us hum with angry electricity.

As the boy disappears into the darkness, I see “Tim”. I see him flying, unsupported through the darkness towards us. He is gliding supported by nothingness. Arriving with a graceful determination.

As he nears the room enlarges to be become one whole. New walls start to “grow” organically around us. The walls reflect back that penetrating whiteness.

I barely perceive it; wracked as I am with pain and battling my inner self split into three parts.

“Tim” hovers above the ring for mere seconds before fresh flesh springs from the union of three rings. It rushes upwards like vine from a tree. I feel a sensation like blood draining from me and lose all consciousness.

*             *             *

I am awake; I can feel myself angry, despairing, frightened. I am real. I can feel myself in all six parts. I can now feel “Tim” floating above me. Strangled in a flesh and bone cage, which has surrounded him; feeds on him; is embedded with his mind, torso, abdomen.

I can feel his suffering as I can the six. I can feel that he is receiving the war amongst the eighteen and struggling with it. As he struggles the struggle becomes mine. I feel almost a compassion for him but also anger and loathing.

The electricity between us is now an angry growl. The heat from it oppressive. It crackles with the fury of our warring as pain follows hope, and judgement follows pain. Round and round like a desperate man drowning.

Then above us an entity begins to form, drawing on the pain and frustration. A blue light develops above the warring minds – drawing lightning rods of power in a blue arc directly from “Tim”.

The consciousness of the entity is malign drawing strength from the three rings of six. It begins to tower in an ice blue form above us. Sneering in its awareness of its own strength it looks down on those who formed it. It bathes in the suffering of the puny who united for this moment.

Now at last the database is online.

 

 

 

If you liked this article why not follow this blog

Follow The Procrastination Pen on WordPress.com

 

 

Wreck of the Week

It turns out that the term “Wreck of the Week” is a rather popular one; in fact it is in use all around the world.

There are a few websites using the term and now there is even a  book

Wreck Book

I haven’t found a British site as yet so I don’t feel that I am competing with anyone. But perhaps there will be some recognition of these other sites from me as I go forwards.

My favourite this week is from Australia:

http://bitethedust.com.au/bitingthedust/category/odd-stuff/wreck-of-the-week/

There are some delicious images here of old cars dust laden and sun bleached. Sadly my attempts to raise the author such that I might use some of his images in headers for my blog seem to have failed. However this does not stop the content being first class. Well worth a look I’d say.

At last I’ve found a UK site on “rust in peace”. This has been the subject of a search for the last few articles – so far always yielding something from the US.

http://www.dailymail.co.uk/home/moslive/article-457661/Rust-peace-Classic-cars-left-rot.html

This appears to be the book which they are featuring:

Rust in Peace

Bookfinder

This week’s video clips along at an impressive rate:

What’s the matter with these video people? Don’t they understand that nostalgia likes to develop slowly?

It’s a shame that none of these video posters give an address where they shoot the footage. How are nostalgia-types supposed to spend ridiculous amounts of money on these cars if they don’t tell us where they are?

This week our auction car seems to be on the cheap side

https://www.ebay.co.uk/itm/282832610698?ul_noapp=true

relisted a couple times and then ultimately sold for £401.00 (roughly $545 or €449)

This seems significantly cheaper than some of the very crumbly remains we have examined of late. So what gives with Standard cars? It appears that it was all up with them by 1963 .

Although British Leyland had swallowed them by 1960. It seems that they were not very successful latterly. Perhaps this is part of the reason why they are not commanding high prices now.

A comparison with new prices reveals some disconnect this https://www.carandclassic.co.uk/car/C362670 has an (admittedly Phase I car) for sale at £6500 (roughly $8840 or €7280). Which is a reasonable sum. How come our little car receives so little attention (bidding wise in any case).

Well to my mind the seller gains points for listing the full registration date (15/07/1953). As mentioned in a previous wreck of the week I am always alert for a car first registered on the day I was born. This search is rendered difficult by a posted registration date of “1953”. This could be any day on any month of that year. Come on auction posters more full registration dates if you please.

Of course he loses marks by using the all caps shouty case. So beloved (no doubt) of a famous Radio 2 DJ and former Top Gear presenter.

I’m not sure that shouty really sells your car. However us nostalgiaphiles are made of sterner stuff. We will not be dissuaded by those without a volume control.

More likely I fear the last detail is the most relevant. “Please remember this car is located in Cornwall TR15 area before you bid”. (I removed the shouty case). This speaks of a seller weary by former bidders saying “how far” when they win the vehicle.

To put in context this is 5 ½ hours from my house. For those United States readers who are looking at this incredulously. The final miles of this are over narrow roads the speed of which would tax even the Pope’s patience. (I am aware that on that vast continent 340 miles (or thereabouts) is around-the-corner-to-buy-a-coke distance).

In the UK, the classical lengthy trip is from Land’s End at the tippity toe of England diagonally across and up to John o’ Groats. (This is effectively the back of Scotland’s head). There are various estimates but I get this as 1042 miles. The UK would fit into the United States many times. The distance to Cornwall would dissuade many. (Who did not already live there in any case).

I therefore fear that the car might well be of appeal but its location is not.

A 1953 Standard Vanguard – of which the majority were for export. (To assist in recovery from the debts we had accrued during the war so I understand). To have one under one’s driving shoe must be a rare experience indeed. This is a Phase III (according to the advert). The seller states this is rare. He is almost certainly correct as I cannot find another for sale at this moment. One would imagine therefore that the preservation of it would be high in the nation’s consideration.

However since austerity the UK’s ability to look after its own heritage appears to be muted. In which case a rusty wreck in a Cornwallian yard will probably not awaken much interest.

For those not yet in the know the term “barn find” is indicative of nothing at all. Sometime in the recent past the term “barn find” became synonymous with a rediscovered treasure. Put “barn find” in an advert and the goose will start laying those shiny metal ingots. However now it has come to mean “old”, “shabby”, “needs work”.

So what is she like this Standard Vanguard Phase III?

Standard Vanguard 1

Firstly pictures lead me to suspect this is a Phase II. Phase III is quite different. The Bonnet badge (hood ornament to any American readers) on this does not look like a Phase I so I think Phase II. Standard Vanguard experts will no doubt be shaking their heads at my vast lack of expertise in this area.

Given she has been around since 1953 I am amazed at how good she looks. And frankly I like the look. The large chrome front, the split screen, the pronounced bonnet badge remind me of the brief flirtation with Americana that we had in the UK. They were times of great optimism, a feeling which has not persisted to the present day.

It is sad that to aid the sale the seller lists the number plate TPE844 as transferable. How many cars are now running round with the wrong number plate because of this fashion in number plate transfers. It is a great loss to the history of the car. I shall be quite encouraged if someone sees fit to eliminate the practice. The buying of defunct registrations from the DVLA being the exception here.

4 Standard Vanguard 2

Apparently it has had only 3 owners since registration. At over 20 years per owner – somebody really loved this car. A shame then that it is in this crusty state.

Some of the paperwork related shenanigans that we have seen with some previous wreck of the week vehicles are not likely with this one. The seller declares the V5 to be present. (For the uninitiated the term “log book” and V5 have become exchangeable terms).

It is so attractive that you would imagine it had been customised. Styling being more of an art than a wind-tunnel-mandated-science in those days I imagine.

It is sad that he emphasises the fact that the car no longer requires an MOT.

For those not inveigled by the vagaries of the UK roadworthiness system. The MOT is an annual test which whilst flawed in so many ways ensures that the car will go, stop, and steer and is unlikely to crack in half on the motorway (freeway to any American readers).

The removal of an MOT requirement for some older vehicles seems to me a dangerous step. The encouragement here is to run cars without testing them. Ultimately meaning that older cars become a hazard. The wise amongst car owners will continue to pay for an annual test and to rectify such elements as are found wanting. I await with trepidation the day when an MOT-exempt vehicle kills someone. The resulting call for these old rust-traps to be condemned forever seems a headline one can predict from any tabloid newspaper.

At which point nostalgia be damned and get these awful wrecks off the roads.

I can tell how much I love this car by how kind I have been thus far but enough – back to old school criticism. There is rust in both sills, nibbling at the boot lid, boot surround (trunk for American readers). That fuel tank also looks like a leak waiting to happen.

The Standard Vanguard Engine however was much respected. A tuned version was used in the TR3 sports car. The engine is present but I am not clear about the ancillaries.

Crikey, possibly the least well preserved bench seat I have seen. That dash also appears to have suffered to a considerable degree (given that it is inside the car). If appearances are anything to go by not much is saveable in here.

Any prospective restorer is going to be on great speaking terms with an upholsterer. The steering wheel appears to be cracked. However the often fragile horn rim appears intact which is something of a surprise.

The seller was not stretching the truth when he said it would need complete restoration.

This looks like where we came in – although the full extent of the sill and lower door rot can be better seen here.

Sadly the seller does not lift the bonnet for any of the shots (presumably because there is nothing there). The wing seams look well corroded as does the bonnet edge. The headlamp chrome is strangely still bright though. As if these are later replacements. Both wing mirrors are present and remarkably all 4 tyres seem to be holding air.

It was located here

But unlike the Morris of last week has already sold.

I hope that this means that someone who is greatly interested and motivated has decided to raise her from the dead.

This apparently confirms that the car had done 70,000 miles. It is odd that I can make out 9036 as some of the characters and I’m almost convinced that first number is a 3? That doesn’t seem to make sense, perhaps the first number is a 6?

She has sold – so there is a strong hope that she will be back on the road again at some point.

If the purchaser comes across this blog post please let us know how you got on with her.

 

If you liked this article why not follow this blog

Follow The Procrastination Pen on WordPress.com

 

Credit to the property website from which the original idea (for Wreck of the Week) came:

http://www.wreckoftheweek.co.uk/

(Unlike that site, which is about houses, this series of blogs is and will be all about crumbly old cars).

Father Christmas

This was part of an exercise designed such that you would write about children.

Unfortunately I have very limited experience with children and apparently it showed. My lack of understanding was about the level that children think at.

From my perspective a child has reasonably little awareness of a world outside of their head. My limited understanding stemmed from the way parents treat children.

Parents insist upon holding a child’s hand (because children have no idea an oncoming car can kill them).

Parents tend to keep children close to them (because children can’t survive alone).

Parents escort children everywhere (because children are unable to do anything by themselves).

So I had the impression that prior to a certain age a child’s perspective was skewed by what was inside the child’s head.

The feedback I received was that the story was unrealistic as the child would not be this naïve.

That shows how little I know.

This underlines the idea that you should try to write about things that you know – or do your research well.

After this I’ve pretty well decided that using children as characters is not going to be something that I’m great at. So probably has no future in the things that I write.

The following therefore is probably only of interest in terms of an example of what not to do.

Story

“Can I have a puppy Mummy? Can I?  I want a puppy because I don’t have a puppy”.

“Timmy be quiet can’t you see I’m talking?”

Mummy was talking very loud.  Mummy is loud if I am naughty.  I think the man must have been naughty.  I hid behind Mummy’s legs.

Mummy was very upset –the back of her hand went white.  My hand hurts when she holds it so tightly.

“Mummy, Mummy let go, I want to play”.

I looked down at my new shoes.  The little lights in the sides came on as I was walking.  I was stamping my shoes and trying to see the lights come on.

I wondered if the strange man had sweeties.  “Hello” I said from behind Mummy’s legs.

The man bent down and looked at me.  He was very dirty, he had strange-looking hair with leaves in it.

“Mummy he smells funny”

Mummy pulled my hand suddenly – it really hurt – I was crying.  Mummy was talking very loud now.

The man had Mummy’s handbag.  Perhaps he wanted to buy me presents?  Sometimes Mummy buys me presents when she has that bag.

Mummy said that Father Christmas would come with presents. Perhaps this man was Father Christmas? He had a wrinkly hairy face.

“Mummy has Father Christmas got me a present?”

“Timmy if you don’t shut up I’ll give you a thick ear, understand?”

Mummy took me to see Father Christmas before; he wasn’t like this Father Christmas.  When I went to see Father Christmas before he was shiny, red and happy, he didn’t smell like this man.

I saw another Father Christmas in a shop today.  Maybe there are lots of Father Christmas’s?  Perhaps I get more presents if there are lots of Father Christmas’s?

“I want a present, I want a present”.

Mummy turned around and smacked me.  I started crying.  I felt hot and tired

Mummy was very angry now; she was really shouting – her arm had gone stiff and my hand was really hurting.

People were standing still watching me.  They must have known that I was with Father Christmas.

It was very quiet now.  Mummy was not shouting.  A shiny car was there; it was white and had funny lights.

The lights on my shoes are red, these lights were blue, they were very high, I watched them go round and round.

A really big man was talking to Mummy.  He had very dark clothes on; he was scary.  He had a shiny belt on; I was watching the long stick on that belt.  Billy has a stick like that; he got it for his birthday.  I don’t think I could have played with this stick.  Billy has a puppy, it was all floppy and sleepy – I don’t think Father Christmas had my puppy.

The big man put Father Christmas in his shiny car.

“Mummy can I go with Father Christmas?”

“NO Timmy you can’t”.

Mummy didn’t have hold of my hand now. I jumped in next to Father Christmas.

“Father Christmas, can I have a puppy?”

 

 

If you liked this article why not follow this blog

Follow The Procrastination Pen on WordPress.com

 

Wreck of the Week

I followed up last week’s “rust in peace” search in the hope of finding something from the UK.

Instead I found another American site (It seems they are so much better at rust in peace than we are currently). Or more prolific with it in any case:

http://apexautomag.com/2015/06/rust-in-peace/

The above article explains some of the author’s nostalgia for cars. He misses something for me. There is something about a car designed to do a job sitting instead slowly mouldering which is very sad and at the same time interesting.

So I decided to follow-up with another YouTube video:

This one wasn’t quite as fetching as last week’s predominantly because of the pace with which it shifts through the cars. It is too Speedy Gonzalez  for me.

However the list of cars is interesting:

Grey Ferguson

Fordson Major with cat tracks.

Peugeot 405 MI16X4 with registration

Hillman Imp

Ford Capri MK3 (Once xpack kitted)

Ford Cortina with registration OOF 752X

VW Scirocco with registration H749 LJB

Morris 8 with registration BDE 133

Austin Metro with registrion BUY 1W

Honda motorbike with registration NNA 392W

VW Scirocco

Triumph Spitfire

Morris Minor with registration LCM 607G

Ford Escort MK5 with registration J422 FFM

Peugeot 309 GTI with registration F160 GSO

Ford Escort MK4 with registration E873 EMY

Ford Sierra with registration F731 SHW

BMW CSI 635 AUTO with registration D723 DAA

This is the list given in the video’s notes. However there must be some missing. I definitely spotted a Jag. I thought I also saw what looked like a Bedford HA van with a camper roof. There are probably more.

There is no clue as to where any of these cars are, (we have to content ourselves with a “Shropshire salvage yard”). Some of them look sufficiently interesting that they might be tempting to a restorer, for the right price anyway.

Delving once again into the overpriced world of historic rust auctions – this week is an odd one. The car does not appear to have sold, despite being relisted at least once.

Compared to some of the auctions we have seen this did not seem overpriced.

For some reason it appears that Morris Minor Saloons are not in demand for restoration now.

In their day the car was no more mundane than a Ford. But we have seen the high prices that classics with a Ford badge now command.

It is sad that apparently Morris does not seem to have the same cachet.

https://www.ebay.co.uk/itm/1966-Morris-Minor-Project-/183061294007.

£1000 (roughly $1380 or €1120) was the starting bid and apparently the reserve was not met.

I can find no trace of it being listed again. So it looks like the seller gave up due to lack of interest, or decided to sell it elsewhere.

This gives the sale value for a good one at £4600: https://www.hagertyinsurance.co.uk/price-guide/1966-Morris-Minor (roughly $6348 or €5152).

So they are not immensely valuable, and restoring a bad one can soon absorb all that money. (Think of the time to weld, fill, prime, and ultimately spray a car for example).

It appears that the desirable Morris Minor models are the convertible, van, and pickup. Sadly this is not one of those.

On the upside the seller seems to have a large list of parts (only some of which were listed in the advert).

He states that “everything needed to finish the project” is included. This encompasses “over £1300 worth of new parts” (approx. $1794 or €1456). This includes a complete clutch, brakes with all new pipes, and the original 1048 engine (in bits). There is also a choice of 2 other engines a 948 and a 1048.

I seem to remember that these cars are not about to tear the tarmac up at Santa Pod. So the bigger engine the better is probably the answer.

Given the similarity with a Mini engine I wonder whether a 1.3 from a Metro might not be a better choice in fact.

The seller also mentions that there is “2 maybe 3 radiators, a few front grills, spare fibre glass wings, original interior, steel exhaust”. There are some other parts which he hasn’t described here. (Further details are available on request).

So let’s look at her then

Morris 1

Sadly this is the maximum size image (of the complete car) available. I take it this is from sometime in the past in any case as later pictures seem to indicate that it is now in pieces.

Morris 2

The advert refers to a chassis rebuild being needed. I’m guessing by the brake junction in the foreground that we are looking at the engine bay. As these things go it isn’t as bad as it could be. But it does indicate why the car will need to be “trailered away”.

I’m no Morris genius but there appears to be fairly substantial holes where I’m sure metal should be. So I think a deal of time with a welding set would have been in someone’s future (had there been any interest).

Morris 3

This looks like another close up on a section of chassis with behind it, I’m guessing, a box with engine parts. It looks like an oil pickup pipe from the sump (presumably of this car).

I’m not convinced much of this steel is recoverable looking at it. One hopes that spare chassis sections can be obtained (unless any prospective buyer is also a genius at metal-fabrication work).

Morris 4

I suppose on the upside there is no evidence of previous bodges. (That is probably fairly remarkable in a 52 year old car). But there is a fair amount to make or find when you have holes that size to fix.

Morris 5

I assume this is also engine bay. In the foreground – washer bottle at the rear – gearbox bellhousing. Some of these sections look like they might not be perforated. They might stand cleaning up (unless that is my habitual over-optimism with rusty things).

Morris 6

Given the presence of a battery terminal connector this is also engine bay and by the looks of it a close up shot of the chassis leg. This doesn’t look too bad as these things go. It may even tolerate cleaning up.

Morris 7

It looks like we are now starting to look at spares. This looks like a grill surround with a wing visible behind it.

Morris 8

And here are those wings looking very intact in fact. Given he describes the wings as “fibreglass” this could well be why.

Morris 9

This looks like one of the engines he mentions.

Morris 10

This looks like the other engine. (Although I’m not sure how to tell which engine is the higher capacity of the two).

Morris 11

The only real shot of the actual car in its current state. There are some quite visible signs of rust through the window. Potentially much of the floor is also missing here.

There’s no doubting the work involved. However it does not look in the league of some of the cars we’ve seen. The difference here being the low values that these cars obviously attract in comparison to other cars of the same age.

I’m concerned that the seller states “I have tried to be as honest as I can”.

Surely as honest as feasible is absolutely honest? However he doesn’t pull any punches over his description: “it is a brave but very doable restoration”.

I guess anything is doable if you have the time, patience, skills and above all money to invest in it.

Sadly he is not well enough to complete the restoration himself having contracted throat cancer. I can imagine that an experience that difficult will be a life changing one. It is unlikely that when struck with cancer restoring a rusting car is at the forefront of your mind. We can hope that he has a full and successful recovery.

(We can also hope there is a brave Morris-orientated restorer out there. A restorer who has bought this car via a route that doesn’t involve the nation’s favourite auction site).

He states “I just don’t want to scrap it and resell all the parts”. This is laudable given that normally the parts are worth more than a car would sell for.

It doesn’t look like it has much history. He states that “I also have an original front section of a V5 when it was sold to another owner from 1995, but no other service history.”

That’s a shame I really love those stories of the years carefully cossetted (followed by the years of minimal cossetting).

Perhaps he got his way. He does state he would like to swap it for a motorhome. Still my experience of motorhomes is that they are quite good at holding their price.

This for example: https://www.marquisleisure.co.uk/motorhomes/stock-item/autocruise-starfire-el-37607 at £23,995 (approx $33113 or €26874).

That’s quite a lot of cash adjustment on a £1000 (roughly $1380 or €1120) car…

The car may have sold elsewhere. In which case if the buyer does read this blog in the future please let us know how you got on.

Let’s hope that the seller is doing well and that somewhere this car has a restorer humming away in his/her workshop of choice.

If you liked this article why not follow this blog

Follow The Procrastination Pen on WordPress.com

Credit to the property website from which the original idea (for Wreck of the Week) came:

http://www.wreckoftheweek.co.uk/

(Unlike that site, which is about houses, this series of blogs is and will be all about corrosion).

Narrative Vs Dialogue

Two stories both on the same subject to show the effects of Narrative vs. Dialogue.

From a course I did so long ago now that I can’t remember the context.

They’re here purely for your enjoyment and with no other explanation.

I hope that you like them.

Narrative

Elizabeth was a fool Jane knew it. They hadn’t been friends for twenty years without the realisation that Elizabeth was a weak-headed, softhearted, naïve fool.

Didn’t she, the mother have the greater insight into the workings of her daughters?

There were the startling, the mediocre and the downright alarming. Rebecca, the eldest – she had always been the exceptional one. Always knowing what she wanted to do. She planned her wedding for the best weekend of the year, a marvellous dress, a fantastic husband.

Then there was Ruth. Jane could feel the anger like a tiny pricking sensation already starting, just thinking about her.

Ruth, yes – she’d warned her – with every one of the dropout wasters she’d hung around with (and taken to bed) she’d warned her.

Now she was pregnant,, of course she hadn’t taken the time to tell her own mother, oh no.

A hasty wedding in October – at a registry office, a rush job at minimal expense – well this guy Richard was hardly the high-flyer, not like Rebecca’s husband.

Ruth had made a bad choice and it was obvious why. It was just to spite her mother. They’d never seen eye to eye and now she had chosen the one thing that she knew would really hurt.

Jane took pride in her family – liked to think that she’d instilled in them some old-fashioned values.

Rebecca had never hung around town late at night picking up boys – and what boys. The latest one had a tongue piercing – and a dotted line tattooed across his neck with a small pair of scissors labelled “cut here”.

What kind of guy was he this Richard? She doubted very much that Ruth even knew him very well. She knew he had a motorbike and was the sort of guy that Jane would despise. Jane would never welcome him into the family.

How better to hurt her mother than to marry him? Well it worked; all the years of spite and angst could not equal what she was doing this time.

If only Ruth wasn’t such a stubborn, wilful girl, she wouldn’t be dragging the family down in this way. Jane wished, not for the first time that she could disown her.

It was bad enough that she’d found them “at it” in her own bathroom but then to go and marry him? It was too much.

So what was Elizabeth going on about? The loose-minded woman. No doubt, she saw Ruth as another hard-luck case like an abandoned puppy or something.

No, Ruth had a lot of learning left and she, Jane was not going to shield her from any of it.

Dialogue

“Isn’t it the most perfect day Jane” Elizabeth gushed, her brow furrowed in concern.

“It’s October Elizabeth, who ever heard of a wedding in October? I may as well look around for thermal underwear” Jane was at her most caustic today. “Now, Rebecca, Rebecca; there’s a girl with sense, a June wedding, very sensible”

“As I recall Jane, you moaned all day that it was too hot and you were suffering from sunburn,” said Elizabeth archly.

“Hmmph well at least I didn’t have to go there looking like an Eskimo – it’s so unattractive.”

Elizabeth sighed inwardly and tried again “The weather is unseasonably warm Jane. Anyway I’m told the registry office is centrally heated”

“Office, yes office, why not a church?”

Elizabeth decided on a change of tack “Did you see the dress though Jane? She will look beautiful”

“I didn’t want to see it, it’s not as though it’s a wedding dress or anything. There won’t be a train or walking up the aisle will there?”

“I guess as long as she’s happy though?” Elizabeth’s voice squeaked with the effort of maintaining diplomacy.

“Happy, happy, what kind of selfish attitude is that? I give it six months, that’s all, six months”

“Richard seems a very nice lad” Elizabeth was tiring of the fight.

“If you don’t count the tongue piercing and the tattoos of course.”

“They all have those now I think”

“Well he isn’t tolerant enough for Ruth that’s for sure. I don’t think he’s had half enough time to realize what a vicious little wildcat she can be”

“What makes you think that, Jane? What evidence do you have?” Elizabeth, by now beaten decided to go with the flow.

“I’ll tell you why – she’s been going round like some old slapper. Mike last year, Derek six months ago and now Richard. Is it any surprise that she’s pregnant?”

Elizabeth gasped, “That’s a vicious thing to say, you’ve no evidence at all for that statement”

“Oh, come on, don’t be so naïve, she’s been hanging around him like a bitch in heat” Jane snapped.

“How can you say that about your own daughter?”

“You just have to look at her for God’s sake, how many brides do you know actually put on weight for their wedding?”

“I think you’ll find the dress size is exactly the same now as when she ordered it Jane.” Elizabeth was sounding exasperated. “You can’t just treat your daughter in this way Jane, you can’t. It will come back to haunt you if you do.”

Jane glared at her stubbornly “I have five daughters, Elizabeth, five and have any been so awful to me as this one? I don’t think so.”

“Ruth is a lovely girl, Jane, surely you see that” said Elizabeth, tears by now gleaming in her soft brown eyes.

Jane’s gaze was grey and piercing “I tell you, for all the pain this one has brought me, I wish I only had four daughters.”
If you liked this article why not follow this blog

Follow The Procrastination Pen on WordPress.com

 

Photo by Scott Webb from Pexels https://www.pexels.com/photo/wood-sign-arrow-blur-137596/