Sleeping With ASMR

Recently, I have noticed that YouTube is just not cracking it on the nights when I am really fearsomely awake. In fact, it is just wise on those nights to get up again, pad downstairs, and watch some late-night nonsense whilst listening with the headphones.

Fortunately, TV now seems well supplied with some barely-watchable early morning viewing. (It’s almost as if they realise that a group of insomniacs are the only people awake in the early hours and that the last thing such people need is something actually interesting).

Sadly, those who turn their channels over to teleshopping are not so enlightened. My advice (if you are forced to resort to similar tactics due to sleeplessness) is to avoid at all costs surfing channels. There is a real risk that you will you happen upon channels trying to keep you awake in order to drive the purchases of mattresses, power washes or strange pruning devices.

You may also wish to give thought to the shape of your spine. For, if you do happen to drop off to some 1980s B movie, it is likely that the sofa will not turn out to be the most comfortable of resting places.

If you are intending to persist with the YouTube playlist as the source of restfulness however, I think I can be confident that you have come to the right place.

Regular readers will recognise the channel N Sight, because of course we have been here before.

Today’s video has a set of notes which are thankfully brief but which indicate that this is a professionally-produced video.

“13,274 views 2 Feb 2017

Michael Stone, MD demonstrates correct technique for blood pressure measurement with automatic and manual BP cuffs, and when to use each type of cuff. He also demonstrates simultaneous BP measurement (to assess autonomic dysfunction), and supine arm and leg BPs (for the ankle-arm index). N Sight is presented by the Institute for Functional Medicine. Learn more at nsight.org.”

Comments are thankfully not permitted – no requests for free medical advice, no disparaging remarks about the participants but sadly no indication as to whether other ASMR fans have been here before.

I would guess that they have.

The video is this one:

Blood Pressure: Demo Exam, Part 1

It is a little shy of eleven minutes long and so it is not going to be your nighttime companion for very long.

Sadly, it starts with some loud and rather too energetic music – so far, so normal, we have found. Sigh.

The patient is introduced as “Steve” the medical professional is not introduced (well outside of those notes anyway). However, we do find that he (the medical professional) has a great voice, very calming and measured.

Today was the first time I tried the transcript facility in YouTube, and it is so very useful for me. Now I can get a visual check for things like the spelling of people’s names, which I am often convinced I have got wrong.

The medical professional seems quite happy with a reading of 128 (systolic) when I was pretty certain that 128 was pretty high…

The video then repeats the blood pressure test but this time manually, rather than with a machine. It is a little quieter but sadly, it means there is yet more music (as an introduction to this section). Comparatively the cuff looks like something unearthed from a Victorian sanitorium but as you’ll be lying down trying to get some sleep I very much doubt that you will notice this.

Yet more upbeat music and then there is a blood pressure test in both arms simultaneously (this is a test I have never seen). This time the automatic machines are in use and so there is the sound of the cuffs being inflated.

Upbeat music again and back to the manual cuff. I do prefer the sound of this being manually pumped vs the electric pump sound on the automatic machine. However, your preference might vary.

Yet more upbeat music and this time the blood pressure cuff is around Steve’s leg. Again, I have never seen this in use before this.

More upbeat music and then the video concludes. And cues straight into the next video which is this one:

Blood Pressure: Demo Exam, Part 2

There are notes “6,172 views 2 Feb 2017

Michael Stone, MD, demonstrates the correct techniques for measuring the ankle-arm index, dorsalis pedis & posterior tibial pulses. He then performs the raised leg oxygen saturation test, followed by carotid and radial pulse comparison. Finally, he concludes with the appropriate orthostatic hypotension exam. N Sight is presented by the Institute for Functional Medicine. Learn more at nsight.org.”

This follows the same scheme of the previous one, same music, same participants. It is a little shorter at just less than nine and a half minutes. The sound of the doppler at the start of this video may be a little off-putting to some people (I didn’t find it so).

Straight into funky music again and this time the pulse is checked in Steve’s feet.

More music, then a check on the carotid pulse.

Music again, then a check inside the mouth. With emphasis on strong dental hygiene.

Music, and a check as Steve changes position from lying down to standing up. And onto tail end music again.

These two form part of a playlist on N Sight Blood Pressure Exam.

They appear mid-way through the playlist which consists of six videos in total.

The first video is this one:

Blood Pressure: Introduction, Equipment, and Patient Positioning

In which we find that the medical professional is Dr Michael Stone. Initially it is not a medical examination as such but a monologue. Despite this his voice is not elevated. Some people in this situation become a tad “shouty” as if projecting to a room. Dr Michael Stone does not fall into this trap.

The video is a little over sixteen and a half minutes so the longest we have seen so far.

However, the chance to punctuate the video with the same music track is not to be missed apparently. perhaps they paid a lot for it and want to feature it as frequently as possible.

It’s a shame as Dr Stone really has a very good voice for our purposes.

The notes have follow the same theme as the others: “3,422 views  2 Feb 2017

Michael Stone, MD, introduces this blood pressure measurement series, including key nutritional considerations for treating patients with abnormal blood pressure. He describes the necessary equipment, calibration needs, and changes in BP measurement over time. He then demonstrates appropriate patient positioning for sitting and supine blood pressure exams.

N Sight is presented by the Institute for Functional Medicine. Learn more at nsight.org.”

As we are not learning to take blood pressure, I will discontinue including them as I’m sure they are of partial interest.

Blood Pressure: Demo Exam, Part 1

Blood Pressure: Demo Exam, Part 2

These two are where we came in.

Blood Pressure: Teaching Exam, Part 1

Like a number of professionally produced videos these turn out to be consistent. This can be great if the first one is marvellous. Less great if it was less than perfect. In this case it means continuation of that annoying music. Set against this, it means the continued exposure to the great intonation and measured delivery of Dr Michael Stone. Not for the first time I am lamenting that I cannot isolate this and remove the little musical interludes.

This one is just under sixteen and a half minutes, so one of the longer ones we’ve seen and in all other respects is similar, same doctor, same patient, same approach, similar notes, same approach to comments and so on.

Definition:

Insufflation: is the act of blowing something (such as a gas, powder, or vapor) into a body cavity

Blood Pressure: Teaching Exam, Part 2

Consistent with those we have seen, nuclear blast needed for the music track, embrace needed for the quiet voice of Dr Michael Stone. This one is nearly twenty minutes in length which is the longest so far. It has some unsettling doppler noises which might be off-putting to some people. There are also some loud car-related sounds indicating that a nearby road can’t be far outside of the building where this was recorded (or someone has a really loud exhaust). Long videos are also an excuse for YouTube to insert an annoying advert and they seem to have made good use of that facility here.

Blood Pressure: Nutritional Factors and Conclusion

This one is a bit less than six minutes and otherwise has little to distinguish it from those that have gone before. I just wish that Dr Michael Stone could produce a music-free version of each of these videos. That and drop some of the louder doppler noises. However, I still maintain that these are all worthwhile trialling in the Procrastination Pen playlist. (However, as you know, every once in a while I’ll get tired of the ones with irritating noises and drop them into the archive list. There is some chance one, some, or all of these may suffer that fate.

The N Sight Playlist on the Procrastination Pen is here:

The overall playlist of videos covered so far on the Procrastination Pen is here:

The videos weeded out because over time they are just not as good as the others is in this archive list:

I keep this in case subscribers to the Procrastination Pen have personal favourites that they want to hear.

The playlist of videos requiring age verification is here:

I can’t be bothered to stop my listening to log on, this interrupts the experience. You may not mind this in which case this list is for you.

I hope that you find the playlists restful and I hope you get plenty of sleep.

If you liked this blog article why not follow this blog.

Until next time.

Photo by Shona Macrae

Sleeping With ASMR

The further we get into 2025 the more people are becoming obsessed with sleep. This is probably the rectifying of the complete disregard that has been shown to it in previous decades.

I can remember certain public figures boasting that they needed little sleep (as if that was a good thing) and subsequently it being discovered that they were making up that sleep through napping.

What is currently missing is the configuring of work practices to respect sleep. Putting health before GDP would send a very significant message here.

There also seems to be little requirement for taking noise into account when designing and building housing, which has its own consequences. As is usual in such circumstances recommendations are around purchasing noise cancelling technology rather than ensuring houses are not exposed to excessive noise. (For example, before building them in the first place). Putting health before profits would send a significant message here.

If you’re in the, no doubt large, group of people exposed to excessive noise when you’re trying to sleep, I have found that having a noise playing of your own choosing can help. It depends on the noise and when it is happening. For example, a one-off sound at 2am, from a loud car say, can disrupt the rest of your sleep. A consistent noise that you grow used to through exposure may be less disruptive.

In any case, I have found as one gets older sensitivity to noise, when sleeping, seems to increase. The only way to react seems to be to take action yourself. Noise cancelling headphones can help. Although I find frequent use of these really hurts the ears eventually. A back track such as white noise (several generators are available) or, my favourite, a nice relaxing video can also be positive.

Statements that older people need less sleep have not proven correct in my case. I get less sleep, I am more tired, so I wonder how universally such findings apply.

In the drive to provide more relaxing videos for you, here is another blog item on exactly that subject.

Today’s video is already part of a playlist; however, it comes from a channel that I have regularly exploited for material so I have to be careful to avoid duplication in this area. If you spot duplication, do let me know.

The Exam for Ankle & Foot Pain – Stanford Medicine 25

As we have previously established this channel produces videos of consistent quality and as we would expect each video comes with a descriptive set of notes:

“19 Jul 2018 Stanford Medicine 25: Musculoskeletal Exam

This video is brought to you by the Stanford Medicine 25 to teach you the common causes of foot and ankle pain and how to diagnose them by the physical exam.

The Stanford Medicine 25 program for bedside medicine at the Stanford School of Medicine aims to promote the culture of bedside medicine to make current and future clinicians and other healthcare provides better at the art of physical diagnosis and more confident at the bedside of their patients.

Visit us:

Website: http://stanfordmedicine25.stanford.edu/

Blog: http://stanfordmedicine25.stanford.ed…

Facebook: https://www.facebook.com/StanfordMedi…

Twitter: https://twitter.com/StanfordMed25

Diagnoses covered in this video:

Lateral Ankle Sprain

Talar Dome Osteochondral Defect

5th Metatarsal Fracture

Achilles Tendinopathy

Interdigital (Morton’s) Neuroma

Stress Fracture of 2nd Metatarsal

Plantar Fasciitis

Hallux Valgus (Bunion)”

Comments are permitted and, as expected, ASMR fans have been here before me. This probably means it is a good choice of video (although some less high-quality ones sometimes pass this test).

It is just less than seven and a half minutes, so not huge in terms of videos we have covered previously.

Of course, there is that bugbear of any ASMR video fan – the musical startup. Someday I will come across the command to dictate the start time of the video and such music will be banished forever.

This one features Dr Brinda Christopher again with whom we are well familiar.

Dr Christopher as we have established before has an excellent voice for such videos. It is great that we are re-acquainting ourselves with her. Chad is the patient (again).

There is some background noise (air conditioning again perhaps).

There are so many medical terms in this one that I am not going to attempt to define them – I’m guessing that you are not here to learn how to perform an ankle examination. If you are what a pleasant surprise and welcome.

The video is part of the  Stanford Medicine 25 channel where there are eighty-five videos. I have no doubt that we will be sampling many more of these in the future.

The video we have just seen is part five of an eight-part playlist. In order to avoid covering areas that I will have covered before, I will limit myself to reviewing the remaining two videos in this playlist. Future blog items will catch up on any missing areas I am certain.

The Exam for Knee Pain – Stanford Medicine 25

There is startup music of course, comments and notes as before and the same two participants – so far, so consistent. At just less than eight minutes it is also of a similar length to the last one.

The great thing about a professional video is that if you liked it you may well like videos from the same provider. Many student videos we have seen can be great, only for the next video from the same source to be totally unsuitable.

The Exam for Shoulder Pain – Stanford Medicine 25

As before, comments indicate ASMR fans are all over this, and we have proven that they have good taste. The only way these could be improved would be to remove startup music and put a bomb in the air conditioning.

But in comparison to some noises we have heard in other videos, this is minor quibble area.

One great aspect is a complete absence of loud equipment clunks, and bangs, which other videos seem unable to avoid. We have the same two participants here and to ensure I do not overlap with material from the same channel covered previously I will make this the last video of this blog item.

This one is a little less than ten and a half minutes so quite a bit longer than the two previous ones. However you may find, like me, that you do not notice the extra time.

I wish you well in your drive to get more sleep.

The Stanford medicine playlist on the Procrastination Pen is here:

The overall playlist of videos covered so far on the Procrastination Pen is here:

The videos weeded out because over time they are just not as good as the others is in this archive list:

I keep this in case subscribers to the Procrastination Pen have personal favourites that they want to hear.

The playlist of videos requiring age verification is here:

I can’t be bothered to stop my listening to log on, this interrupts the experience. You may not mind this in which case this list is for you.

I hope that you find the playlists restful and I hope you get plenty of sleep.

If you liked this blog article, why not follow this blog.

Until next time.

Photo by Laura Matthews on Unsplash

Sleeping With ASMR

If you’ve woken from another Nytol-fuelled sleep and feel like a bear was sitting on your head all night, it might be that you will be better off trying to relax into sleep by yourself without the aid of chemicals.

For many of us this is far easier said than done. I have found that falling asleep with other people’s noises all around – cars on the road, breathing of my partner, mice in the loft overhead, or bird squabbles in the hedges nearby are sufficiently distracting to put off sleep for quite some hours.

In this atmosphere the masking of those noises with a level of background noise seems to be moderately effective. The Procrastination Pen playlist may be effective for you in that it provides a number of videos taken from YouTube selected for their calm talking, lack of extraneous noises, and potential ASMR effects (in those people lucky enough to get ASMR effects, in any case).

Today’s video comes from a perennially useful source for us which is the student medical exam video. This blog would probably run out of steam quite quickly if this kind of video did not exist. Sadly, the quality of such videos is often, at best, variable, such that many videos get evaluated and few are chosen.

Today’s video is this one:

Head to Toe Assessment

The medical professional is wearing a very large identity badge indicating that she is Julianna and that she is an undergraduate student.

There are no notes with this video. However, comments are permitted and, as expected, ASMR fans have been here long before me.

It is just over thirty-five- and three-quarter minutes, so moderately substantial in terms of videos that we have recently seen on this blog.

Julianna announces that she is Julianna Cook, a Family Nurse Practitioner. I think the institution mentioned is “Auburn University” (it’s spoken rather quickly).

Auburn has a college of nursing and so it sounds like it might be a good fit for a video of this type.

Its channel reveals that it has a brand very similar to the icon on the badge that Julianna is wearing, so it seems very probable this is where Julianna is presenting from.

Julianna appears to have left Auburn in 2020 the video was posted in 2019.

The class is 7116 Advanced Nursing Assessment.

The patient seems to be in tip-top shape (better numbers than I am able to deliver for example). The normal question and answer session must have occurred prior to this video so there is no clue as to who the patient is.

The camera angle is a little strange in this one. Probably so that it could be set out of the way of the participants. But the net result is that they are some distance from it. This is not important if you are simply listening, but sadly, it has some effect on the audio as well which is itself a bit flat and distant. Not as notably, as in some other videos that have featured in this blog.

There are some moments where progress is slowed by the medical professional failing to remember. However, overall, the assessment seems moderately efficient (if thirty-odd minutes can be thought of as efficient).

We are here for the sound which is not excessively loud, no loud bangs of moving equipment for example. There is of course the ever-present air conditioning noise which seems to be a feature of these videos.

There is a fair amount of humour in the video which is perhaps less restful than might otherwise be the case (laughter can be a bit loud). I don’t think this precludes it from membership of the Procrastination Pen playlist but it might cause it to be a victim of future weeding.

There are moments of actual gentleness in this but only a video editor would be able to make this a truly superior video, and of course, the video isn’t mine to do that to.

The channel is Julianna Cook. There are four videos, including the one above, and eight hundred and fifty-seven subscribers as at the date I am looking at it. There is no video posted more recently than three years ago.

Julianna’s Greatest Show

This is just less than five and a quarter minutes, and has some notes. It states it is “NURS 7246 Pharmacology Project”. 7246 appears to be another course at Auburn.

Unlike the previous video no ASMR fans have commented on this one.

This starts loud, and I think is designed to be a presentation. There is loud music in it, I think it is supposed to be entertaining but not restful. It does make interesting viewing. I think the chances of falling asleep to it are out there with winning the lottery.

Not a Procrastination Pen playlist candidate but I imagine a good fun video if this is your area of interest.

7226 NP Roles Video

This is a presentation, it is quite loud, it isn’t really restful. There are no notes. There are no comments from ASMR fans, which given the content is perhaps not surprising. The most interesting elements are interviews with people apparently from the public. Herman Cook for example has quite a good voice. However, the background noise is a tad off-putting. It is louder even than we are usually used to.

James Warren’s interview has so much extraneous noise associated with it that I’m surprised it is included. I’m guessing filters are not a thing.

Virginia Cook has a great voice but she is swamped by background noise.

Stephanie has a section with minimal extraneous noise but her voice is quite a lot louder and so not helpful from our perspective.

Linda Condon has a good voice but I think they videoed her footage beside the M25, boy it is loud.

All in all, this video isn’t going to work for us and it will not go into the Procrastination Pen playlist.

The last (and newest) video is this one:

Croup Presentation

This is just over five minutes and it starts loud. It continues loud. It is a presentation after all.

This one is just not for us.

Just the one video this time then.

More time for you to get on with your work. More next time.

The overall playlist of videos covered so far on the Procrastination Pen is here:

The videos weeded out because over time they are just not as good as the others is in this archive list:

I keep this in case subscribers to the Procrastination Pen have personal favourites that they want to hear.

The playlist of videos requiring age verification is here:

I can’t be bothered to stop my listening to log on, this interrupts the experience. You may not mind this in which case this list is for you.

I hope that you find the playlists restful and I hope you get plenty of sleep.

If you liked this blog article why not follow this blog.

Until next time.

Photo by Milada Vigerova on Unsplash

Sleeping With ASMR

Firstly apologies – the sound quality on this is not the greatest. I mean what the heck is that background humming going on? However, it’s also a piece of fun. Even the “patient” finds it highly amusing. In this one the patient will have to go by “X” as they are not identified at any stage.

I’m not sure if it is the giggles which makes it so effective. Usually I dispense with any videos that have the least kind of annoying sound in them. But in this case after a few seconds, it became just background hubbub which I could ignore. Your mileage may vary.

Chest, Lungs, Heart assessment by Nikko Holloway NU 607 Advanced Health Assessment Dr. Wildinger

Initially Nikko (assuming that is the person’s name) is a bit on the loud side, but it soon settles down till the background hubbub is increasingly distracting. (Sadly I have no way of filtering such noises out). It derives into giggles pretty quickly and at one stage they have to quit filming altogether (Warwick medical school this is not).

Nonetheless it was enjoyable and it’s a shame there aren’t any more in this series. (Preferably without the sound of Hades air-conditioning, or whatever it is). I wonder whether Nikko passed whatever assessment it was that she was completing (I’m assuming of course that this is part of an assessment process for a medical establishment.)

Sadly Nikko Holloway (for that is the channel) has only uploaded this one medical examination video. In total there are three videos but whilst the voice is reasonably relaxing, I’m not sure that the others qualify under the medical examination criteria.

For completeness here are the other two:

X- Treme Makeover N. Holloway

This indicates that Nikko attends Jacksonville State University (spring 2020 semester).

Sadly it isn’t up for much in the ASMR stakes so this one will not be in the playlist.

Recording #2

Again it is not up there in terms of ASMR-i-ness (an established term) so I will not add this one to the playlist either.

There do not appear to be a huge number of subscribers or comments for this one so perhaps this is an ASMR find. In any case I hope you find it relaxing.

I haven’t created a playlist for this (it’s one video) however it is in the long playlist of all videos featured in this series.

Why not subscribe to the playlist on YouTube and then you will get automatic updates as I change it.

It’s been a short one on this occasion. More next time.

If you liked this why not subscribe to the blog.

Photo by Mac Reddin on Unsplash

Turn Again

Sometimes the message is an unwelcome one; I re-encountered an album recently. An album

 which is an old favourite. One of the tracks has an uncomfortable message that I am still not keen to hear.

(If you haven’t heard this album by the way then you are missing something; in my view the best album this group have produced).

I was reflecting that blogging (and indeed writing) is unrewarding today as there is no audience. It might be no coincidence that the rise in streaming media has coincided with a decline in the time that people spend with a book. (There is one pot of time, if I spend it on one thing I can’t spend it on something else).

Some people have an engaging writing style, and some people don’t. My experience is that the things I like to write about are not stimulating to the few remaining readers out there.

The popular approach seems to include changing my message to make it one that the potential reader may like to hear. Writing and marketing merging until they become synonymous terms. Is the purpose of writing simply to sell something?

For a long time I have avoided writing the blog. The content seemed to be the sort of stuff only my mother would have read. Given she wasn’t available any longer what would be the point in writing any more. Some of the old articles I wouldn’t write today anyway as my beliefs continue to change.

Missing, for me, are any opinions – any opinions that I cared about. However having spent a while reading the comments on  Twitter and  some of the more inflammatory newspaper web sites I am quite certain that I do not want feedback of that sort about anything I have to say.

However the song tells me “the things I should have said…” Once in a while an article affirms that writing is an act which is enough in itself. Some indicate that perseverance is sufficient even where no one reads it. Sometimes writing for yourself is just as valuable as writing for someone else.

It is also absolutely possible that some people might be reading the material but due to a lack of interaction will be invisible. In the end perhaps just writing, for no good reason, is actually enough.

I can of course mute out the people who disagree with my childish opinions and maybe that is the best thing to do if it allows me to keep going.

Anything that will permit what is left of my imagination to flow.

The song nags: “…dreams lay unrevealed ‘til they were rotten”. (I always imagined it was dreams lie unreleased till they were rotten…).

It is better to do something than avoid doing anything because no one is paying attention.

If you liked this article why not follow this blog

The Neighbours from Hell

A very long time ago in a town far far away. (Well actually the same town but it didn’t sound as good) I was attending one of those how to get from a dunce to a fiction writer courses. The tutor was one of those types sent to inspire. He suggested that we write a story entitled “The Neighbours from Hell” where the neighbours really were from hell.

The pictures that this generates in my mind were so vivid that I was inspired to write various short stories all of them centred on the same subject.

See my earlier bog posts for more stories on the same theme. https://magic-phil.co.uk/2018/02/13/on-the-theme-of-hell/, https://magic-phil.co.uk/2018/02/18/the-neighbours-from-hell/.

I haven’t written one now for several years but do wonder if I ever grew a big enough pair to set about a book whether it might not be on a similar subject.

This is the next version of the hell stories:

Story

How did I get here? Where am I? I seem to be sat in an interview. A mere five seconds ago, I was walking up my neighbour’s path.

Ranged around me are six people in exquisite suits, finely tailored. This must be a prestigious position! What am I doing here?

The first man is leaning forwards his suit a delicate pinstripe in grey. Sombre, restrained, tasteful which belies the light from his eyes. The light is like insane excitement, almost techno-blue like the neon glow from a car stereo display. A light all gleam but no soul.

It must be the shock of the sudden change of scene, I feel disorientated; I look around bemused. I find that we are sat, cross-legged on a deep green carpet. It is a surreal and dream-like existence; not like any sense of reality, I am used to. Perhaps I am not awake at all?

The journey up that garden path, did I dream that too? It seems that as soon as I touched that door knocker…

Around us, other people lounge engaged with their own affairs. The area appears to be of all things a student bar. But if this is a student bar, these are the best-attired students I have ever seen. I feel strangely out of place in my carpet slippers and gardening trousers.

Now why was I visiting my neighbour? It seems now like another lifetime. Oh the noise, yes, that weird (and very loud) caterwauling emitting from the house. It had made my ears ache the second I had heard it.

So now, I am in a student bar? The furniture seems to be fixed around the wall vaguely like a sofa. But more utilitarian – perhaps an upholstered bench – in a very tasteful green.

The room punctuated by iron scrollwork screens. Each set at random angles to create interesting spaces for people to congregate. The screens have a Verdigris finish and stained wood surrounds. Each screen is a support for well-tended houseplants. A rubbery creeper here, a flowering orchid there. Each supports a shelf – waist-height of well-worn brown-stained wood. Like the surface of an old school desk; a meeting point at which others stand in active discussion.

Another thing strikes me; if this is a bar then why am I the only one holding a drink? I look down at what appears to be a large gin and tonic in a dainty wheel-cut glass – of a crystal so fine it is sure to ring with a tone fine enough for opera.

I look around and feeling my conspicuousness. I gulp the drink in the hope that I will gain some “fibre” from its contents. The bitterness of the draft grips my throat like drinking the entire bark rather than just quinine. I feel as if all fluid is drawn from my mouth.

Of a sudden, the noise hits me. I realise what has made the experience even more surreal – I have been completely deaf. Not a sound have I heard since this “dream” commenced.

The man before me is talking – he is staring at me with his gleaming eyes. I realise that he is talking to me

“Mr Blythe?”

“Oh, I mean, yes”

“I need to test your understanding: for the position you understand?”

“The position, oh, yes, the position”

“Now, as I was saying, you need to understand the database on which you will be working extremely well. If you satisfy the requirements then the rewards are high”

“Rewards, oh, ah, I mean yes, rewards”

“Now a design question; in which we will use the example of some gice”

Gice? I’m sure that he said gice, what are they? Does he mean mice?

“Mr Blythe?”

“Oh yes, sorry”

For some reason I feel that I have to pass this test, I have not felt the urge to ask where I am or what I am doing here. I am faced with a test and it has assumed all importance for me. Although I cannot say, what the test is for or what the penalty would be for failure.

“There are some gice in a carriage,” my interviewer continues. Immediately and without further description.

I know the carriage. It stands in my mind like a piece of art. A horse-drawn carriage angular and gleaming with a strength. As if it was hewn from solid ebony rather than constructed. The seats of deep-buttoned leather in a saddle-soaped burgundy. Each button lovingly buffed. The entire seat stuffed until bursting with horsehair. The wheels high and unadorned each spoke painted a gleaming black to match the body of the carriage. The horse-shafts slightly curving a deep black themselves. The whole, poised, stationary like some fantastic animal about to pounce. This carriage is no ordinary carriage.

The interviewer continues, “The carriage is in a corridor”

In my mind an endless corridor of gleaming white appears. The carriage is stood; the doors mere inches from the walls. The walls shining white like the interior of a brand-new hospital. Lit by some internal light banishing all shadow. The carriage is moving along the corridor at a fantastic speed. Door handles remaining a uniform distance from the wall. Passing intersecting corridors in a blur.

“Now Mr Blythe”

I come back from the vision so suddenly I can almost feel muscles in my head snap with the strain.

The interviewer continued, “How many objects are there?”

It feels like the weight of the rest of my life rests on this one question. I think so carefully that I can almost feel the fluff of lack of use drop from my brain cells as the mental cogs whirr.

I surmise that as he mentioned “gice” as a group that I can count them as one. The sense that a lot depends on my answer lingers. If gice are one then gice plus carriage plus corridor, must equal three mustn’t it? How do I know?

“Three” I respond.

Instantly all six people burst into laughter. My interviewer recovers first. The light in his eyes now somehow reflects deep concern. The light appears to be probing me, looking for the weakness that gave that answer.

“No that’s not right; it’s one.”

Suddenly I get understanding; it is like mentally finding the answer to an exam question. Lights metaphorically go on in my head. I sense an enormous rush of happiness. Akin to that of solving a difficult puzzle that has bothered me for weeks. I feel that I have long needed to know the answer to this question. It is strange, why do I feel such fulfilment? What does it mean?

“Ah, I see”

And I do see, although I can’t explain how, it is like the answer was just placed in my mind – the answer has to be one. And; from this understanding, I am now able to ask the interviewer questions of my own:

“So, how do you decide whether to put gice in a corridor or a carriage?”

The interviewer now looks at me approvingly “It’s not like that; it’s whichever choice fits the best”

“Ah, so it is an entirely pragmatic approach”

I realise that I am now able to watch myself from a distance. It is as if I am floating above myself, whilst also being inside myself at the same time. I am involved in the interview still. However, I am also watching myself in the interview as it continues. I can see that the interviewer approves of me – I get a growing impression that I have this position in the bag. But why? How do I understand the question? How do I understand that these objects together make just one? What is the database? Why must I work on it?

As I watch myself, I see that my delight at the understanding is growing. Finally, I see the six rise as if to leave. Rearranging themselves so that the magnificent suits settle into a smooth uncreased line.

I reach out and catch the arm of the interviewer; I stop him as the other’s leave.

“The one object, that’s the database isn’t it?”

He beams at me quite suddenly; it is like the sun suddenly shines in my world.

“You worked it out” and then he turns toward me.

We sprawl now upon the floor. The atmosphere of the interview has become very relaxed. We prop ourselves against one of the iron screens. I notice for the first time that a strip across the top of each screen is an inlay of stained glass. Approximately six inches in height composed of a flower motif in yellow, orange and green.

Sunlight now beams into the room. The stained glass gleams like an artistic snapshot of springtime. The sunlight lights the spot where we sit and chat in a relaxed style.

This is it – I have the job. I can feel delight and elation. The interviewer rises once more and leaves through a door. The door shuts behind him as if guided by a powerful spring. I approach the door but it has an air about it. Like a staffroom door to a child. I have a definite sense that I cannot go through this door.

I look back into the room, in the far corner nearly hidden by one of the iron screens stands a group of men in dark suits. The confidence of my new success buoying me I feel the need to approach, perhaps to swagger a bit. As I approach they look up, resentment obvious in their eyes. I get the feeling that passing this “test” is not all positive. Something tells me that having obtained the “position” I have somehow deprived these people. Not only that but I get the definite sense that I know these people from somewhere. But David Blythe would definitely have no memory of them. Why is this? Have I been living a double-life somehow, if so, why can’t I remember?

I turn to a man, youthful in appearance with shiny long dark hair. He has a familiarity as of a colleague that I have long worked with. He is glowering and his face darkened as if in shadow.

In excitement, I blurt out “who is that man? The man who interviewed me, what is his name?”

For some reason the unreality of my situation has ceased to affect me; perhaps, the drink? I am not sure. I am acting as if part of this scene, not observing it. It is as if I really belong in this totally alien place, performing unreal tasks.

The man looks up just once and catches my eye, I see the sulky expression; he refuses to speak. He turns away from me. One of his colleagues seems familiar. Unfriendly he indicates a large box of white-painted speakers.

I get the feeling that these are being removed. It is as if the equipment to which they were once attached is now redundant. They have the appearance of speakers that were once attached to a computer. Stained and well used. They could have been in a classroom used as part of a presentation; I get the feeling this is not insignificant.

Each of the speakers seems to develop a label as I view them. It is as if the labels are writing themselves as I watch. Each label has a neatly-lettered name on it.

The nearest set of speakers has a number of names, the first and subsequent lines untidily ruled out. The final lettering is “T. Bordure”. Unlike the answer “one” that brought great happiness, this label brings me uncertainty. I realise that I am guessing that this label is the correct one. I want to be certain. Nonetheless, the name associated with that brief script springs into my mind.

“Tim Bordure?” I enquire

Tim? How did I know Tim? How can I know the name?

It must be written down somewhere? Maybe it is part of my history at work? Work? Yes, that slipped into my head, work. I must have been doing something before to give me the experience for this new position.

I still feel uncertain about that name, have I identified the correct label? I determine to rush back. Back? Back to where? I must check that name; I must look it up on our intranet. Intranet? What Intranet? Where will I look up that name? Why must I look it up?

I must stop this; this can’t be real. I must think straight, I must find out what is real again.

I still feel like I just passed a significant test. I feel for some reason that I have been preparing for this test for a long time. Finally, I have understood, I have passed. But passed what? I can’t remember any preparation.

I am a Forty Five year old civil servant. I can’t remember preparing for anything in a very long time.

I feel certain that the six who just left are important, that having passed the “test” I will soon be joining them. However, I still don’t understand the glass – if it was gin why was I holding it in an interview? Why me alone?

I feel a sense of excitement and anticipation but mostly a sense of fulfilment. A sense of the mission ahead and that this “understanding” I have mysteriously achieved is a part of that.

*             *             *

I feel the itching in my eyes and blink. Oh, thank goodness it really was a dream. I felt sure it had to be it was so surreal. I am going to wake up back in my own life, beside Deirdre in our old rumpled bed. No test; no strange people; no “database”.

*             *             *

I open my eyes; there has been a change. I am not sat in the “student bar”. Neither am I waking from a dream to a small bedroom in Tunbridge Wells.

I am sat on a very hard orange plastic seat. There is a hexagon of seats. I form one side with another man sat a short distance to one side. I am facing other men.

The six of us I notice are myself and the five from the interview. But no sign of “Tim”. We are all silent and unmoving, facing forwards motionless.

My arms are resting quietly along the arms of a… what? I could swear the seat was orange and plastic. But now my arms are resting on a chair of tubular steel and black leather. It strikes me like a chair I have observed through the window of a local hairdressers. Even the chair seems to be unreal.

Into my mind hovers a vision of “Tim” as I last saw him beaming with happiness for me, I feel a great warmth towards him. The vision seems to blot out my mental objections to the situation in which I find myself.

My previous life with Deirdre is but a distant whisper in a melange of more strident voices. Central is this sense that I have a mission. That it is of overriding importance and that I have been preparing for it for a long time. But what is this mission? What am I doing?

In my mind, “Tim” continues to smile; but his face now begins to appear a representation. His smile more like a caricature. A clown rather than a warm human being.

“David Blythe, at last you join us”.

I look down at myself as he speaks into my mind and I see that I am now attired like the others. Gardening trousers, old faded slippers have metamorphosed into a sombre grey flawless suit. A suit that moves so smoothly I swear it was silk. The shoes gleaming enough to blind onlookers. But no onlookers – just the team of six.

In my mind “Tim” speaks again. Looking less and less appealing, the charming smile appears an animal snarl.

“So David, welcome to the purpose of your life. It’s been a long preparation but you have finally achieved the level which I knew you would achieve seven hundred years ago.”

Seven hundred years? What does he mean seven hundred years? No one lives for seven hundred years; surely, he knows that?

“Yes, now we have all six of the database administrators together. Finally the management of earth can come back on stream”

As he announces this confusing message the man to left and right of me grasps my arm in a tight grip. I felt a sense of panic rise. A dark foreknowledge of what is to occur. I see in my mind frightening images, which I do my best to dismiss.

I look to my left hand and I see that the flesh of my fingers is extending as I watch, one part of my mind hysterical. One part, an older part, calm, expectant. The growth is amazingly rapid.

Then pain begins. A sense of stretching, then a burning tearing sensation. As I watch, my finger ends rip and inwardly I scream with agony but outwardly, I am calm, silent. I see that my fingers have found my neighbours – also extended like my own. As they find them the finger, ends fuse and thicken to form a five-pointed cage of flesh and bone.

Strangely, I begin to embrace the pain to draw it into myself like a possession. It is like a smoke-ridden breath to an addict. Deeply pleasurable but also dreadful and frightening.

Now the skin, blood and bone of the two limbs rushes together. The five fingered birdcage completed, but growth still continues; nerves fuse. Sensory pathways between our two minds now become one.

I begin to receive pain, an almost intolerable level of pain. This is not my mind, I am receiving the pain response of my nearest neighbour now fused with me.

His mind is an inner scream of agony and suffering. For some reason I am able to deal with the sensations more rapidly than he. Over time I can see beyond the wall of pain. I begin to receive his thought, his memories, his desires.

Beyond the pain is regret. Time wasted, things not accomplished a knowledge that he has reached the end and never lived up to his obligations.

I realise that as I receive this “broadcast” of despair I am broadcasting back one of my own. Mental images of the time that girl rejected me at school. The sense of failure when I was redundant. No happy thoughts seem to escape me.

I have no time to think. I begin to receive more images. I realise that my other neighbour is now linked to me as well. This man is quite different. I find that the link between us is an unbreakable curse.

Toby has been a murderer all his life. He feels great pleasure at the inflicting of pain on others. I can see the many people he has tortured and abused. The sense of despair in their eyes as they realise that they are about to die. Then the cold blankness of their eyes in death.

I cannot escape him; he is now one with me and I with him. I can see the blows in detail that he meted on those he battered to death. I feel his exaltation at the powerful feelings this raised in him..

I realise that now Toby and Neil are a part of me, I am a part of them. I am now the murderer, his feelings of pleasure are also mine, we are one. One, the answer to that question that got me this “position” one, I reflect bitterly.

I now can feel the mind of each of the six in the ring, each in pain, each filled with regrets. We are now linked as one organism into a flesh and bone ring. Some minds are sadistic, some deluded but no happy mind do I receive.

I realise that as one we have the collective ability of six united. This collective must have great power of thought and of mind. Each memory is mine as much as my own. I can think with their thoughts. Recall their memories and they, can do likewise with mine.

I am filled with the guilt not only for my own misdeeds but also for those of the other five. Between us, we have “sins” of such great gravity and breadth that no single man would have had time or imagination to experience. Now I feel them and remember them as if they all belong to me.

I begin to mull over this past in deep shock. I cease to perceive with my eyes or ears. Living only inside in the darkness of this new world. I am saved from this by a sharp tug on my pain stretched arms.

The white room is moving at some incredible speed. The walls begin to slide down as if a partition rather than a part of the structure. Around the room, there is only darkness.

I have the sensation of sitting in a square of light consisting only of ceiling and floor surrounding by impenetrable black.

As I wait, I see approaching from out of the dark another square very like ours. In fact it appears to be ours, approaching so fast.

Initially a faint dot – almost unperceivable but upon us in moments. Docking with our room at lightning speed. The jolt sends fresh waves of pain through the ring of which I am a member.

The ring is a mirror of ours – I can see myself facing me, and close to me my neighbour Toby but this cannot be. We cannot be sat in two places at once.

As I try to understand, to get control of my mind I see a small child, walking across the darkness. Her feet resting on dark, walking through the dark towards us.

She is a barely four feet high and clad in an almost see through full-length shift. But as she approaches, I see that her pretty form is marred. She has no eyes. The sockets burned out and glaring red.

I want to scream but I seem unable to do so. My mouth will not open. I mentally recoil as she grasps the place where the hands of Toby and I join. At the same time with her, other arm she grasps the ring that has now docked with us.

It is then that I have the realisation that I had not seen the ring approaching with my eyes at all. In fact, the ring was behind me. I have seen the approach through the eyes of the man opposite. It was hard to think like this now; I was not thinking “us” so much as “me”. My ring of six was now me and I was it.

Then a new pain. I realise that fresh flesh and bone is forming between the ring in which I am sitting and the other ring. The child seems to take no part. As I struggle with the new pain, I realise that I cannot sense her. She appears to have no mind; in fact, she appears not to exist.

As I wait, the girl detaches herself and walks away across the darkness until it absorbs her slight form.

The two joined rings allow me to feel the other me. I can feel me as a happy and positive man. I can feel the sensation of the first time Deidre and I went out. I can feel the satisfaction at getting my first job.

The two halves of me are at war. It is not just my war. Each of the men in my ring aggressively responding to this new invasion. Electricity sparks across the interface between us. Twelve minds attempt to destroy one another.

But the war has just begun.

Even as I battle my other, self I see approaching a third ring of six. As this one also docks at lightning speed. I sense all six minds in my ring unite in despair at the new arrival. Mental images from the other ring are of welcoming expectation.

From the darkness, this time emerges a boy child, dressed again in a sheer outfit like a shift or nightgown. Again, he has a face ruined by burning.

He grasps the place where the hands of Neil and I join and with his other arm grasps the ring that has now docked with us.

As we fuse I feel the pain blank out my mind for a while. I feel a sense of our imbalance, the sense of war between the two halves and in the third ring judgement. Like the sensation, I had in the interview of watching myself. The third ring is watching the war between good and bad and judging us.

The bad hates the judgement. The good welcomes it. The sense of the warring parts of self escalates until the junctions between us hum with angry electricity.

As the boy disappears into the darkness, I see “Tim”. I see him flying, unsupported through the darkness towards us. He is gliding supported by nothingness. Arriving with a graceful determination.

As he nears the room enlarges to be become one whole. New walls start to “grow” organically around us. The walls reflect back that penetrating whiteness.

I barely perceive it; wracked as I am with pain and battling my inner self split into three parts.

“Tim” hovers above the ring for mere seconds before fresh flesh springs from the union of three rings. It rushes upwards like vine from a tree. I feel a sensation like blood draining from me and lose all consciousness.

*             *             *

I am awake; I can feel myself angry, despairing, frightened. I am real. I can feel myself in all six parts. I can now feel “Tim” floating above me. Strangled in a flesh and bone cage, which has surrounded him; feeds on him; is embedded with his mind, torso, abdomen.

I can feel his suffering as I can the six. I can feel that he is receiving the war amongst the eighteen and struggling with it. As he struggles the struggle becomes mine. I feel almost a compassion for him but also anger and loathing.

The electricity between us is now an angry growl. The heat from it oppressive. It crackles with the fury of our warring as pain follows hope, and judgement follows pain. Round and round like a desperate man drowning.

Then above us an entity begins to form, drawing on the pain and frustration. A blue light develops above the warring minds – drawing lightning rods of power in a blue arc directly from “Tim”.

The consciousness of the entity is malign drawing strength from the three rings of six. It begins to tower in an ice blue form above us. Sneering in its awareness of its own strength it looks down on those who formed it. It bathes in the suffering of the puny who united for this moment.

Now at last the database is online.

 

 

 

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Father Christmas

This was part of an exercise designed such that you would write about children.

Unfortunately I have very limited experience with children and apparently it showed. My lack of understanding was about the level that children think at.

From my perspective a child has reasonably little awareness of a world outside of their head. My limited understanding stemmed from the way parents treat children.

Parents insist upon holding a child’s hand (because children have no idea an oncoming car can kill them).

Parents tend to keep children close to them (because children can’t survive alone).

Parents escort children everywhere (because children are unable to do anything by themselves).

So I had the impression that prior to a certain age a child’s perspective was skewed by what was inside the child’s head.

The feedback I received was that the story was unrealistic as the child would not be this naïve.

That shows how little I know.

This underlines the idea that you should try to write about things that you know – or do your research well.

After this I’ve pretty well decided that using children as characters is not going to be something that I’m great at. So probably has no future in the things that I write.

The following therefore is probably only of interest in terms of an example of what not to do.

Story

“Can I have a puppy Mummy? Can I?  I want a puppy because I don’t have a puppy”.

“Timmy be quiet can’t you see I’m talking?”

Mummy was talking very loud.  Mummy is loud if I am naughty.  I think the man must have been naughty.  I hid behind Mummy’s legs.

Mummy was very upset –the back of her hand went white.  My hand hurts when she holds it so tightly.

“Mummy, Mummy let go, I want to play”.

I looked down at my new shoes.  The little lights in the sides came on as I was walking.  I was stamping my shoes and trying to see the lights come on.

I wondered if the strange man had sweeties.  “Hello” I said from behind Mummy’s legs.

The man bent down and looked at me.  He was very dirty, he had strange-looking hair with leaves in it.

“Mummy he smells funny”

Mummy pulled my hand suddenly – it really hurt – I was crying.  Mummy was talking very loud now.

The man had Mummy’s handbag.  Perhaps he wanted to buy me presents?  Sometimes Mummy buys me presents when she has that bag.

Mummy said that Father Christmas would come with presents. Perhaps this man was Father Christmas? He had a wrinkly hairy face.

“Mummy has Father Christmas got me a present?”

“Timmy if you don’t shut up I’ll give you a thick ear, understand?”

Mummy took me to see Father Christmas before; he wasn’t like this Father Christmas.  When I went to see Father Christmas before he was shiny, red and happy, he didn’t smell like this man.

I saw another Father Christmas in a shop today.  Maybe there are lots of Father Christmas’s?  Perhaps I get more presents if there are lots of Father Christmas’s?

“I want a present, I want a present”.

Mummy turned around and smacked me.  I started crying.  I felt hot and tired

Mummy was very angry now; she was really shouting – her arm had gone stiff and my hand was really hurting.

People were standing still watching me.  They must have known that I was with Father Christmas.

It was very quiet now.  Mummy was not shouting.  A shiny car was there; it was white and had funny lights.

The lights on my shoes are red, these lights were blue, they were very high, I watched them go round and round.

A really big man was talking to Mummy.  He had very dark clothes on; he was scary.  He had a shiny belt on; I was watching the long stick on that belt.  Billy has a stick like that; he got it for his birthday.  I don’t think I could have played with this stick.  Billy has a puppy, it was all floppy and sleepy – I don’t think Father Christmas had my puppy.

The big man put Father Christmas in his shiny car.

“Mummy can I go with Father Christmas?”

“NO Timmy you can’t”.

Mummy didn’t have hold of my hand now. I jumped in next to Father Christmas.

“Father Christmas, can I have a puppy?”

 

 

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Narrative Vs Dialogue

Two stories both on the same subject to show the effects of Narrative vs. Dialogue.

From a course I did so long ago now that I can’t remember the context.

They’re here purely for your enjoyment and with no other explanation.

I hope that you like them.

Narrative

Elizabeth was a fool Jane knew it. They hadn’t been friends for twenty years without the realisation that Elizabeth was a weak-headed, softhearted, naïve fool.

Didn’t she, the mother have the greater insight into the workings of her daughters?

There were the startling, the mediocre and the downright alarming. Rebecca, the eldest – she had always been the exceptional one. Always knowing what she wanted to do. She planned her wedding for the best weekend of the year, a marvellous dress, a fantastic husband.

Then there was Ruth. Jane could feel the anger like a tiny pricking sensation already starting, just thinking about her.

Ruth, yes – she’d warned her – with every one of the dropout wasters she’d hung around with (and taken to bed) she’d warned her.

Now she was pregnant,, of course she hadn’t taken the time to tell her own mother, oh no.

A hasty wedding in October – at a registry office, a rush job at minimal expense – well this guy Richard was hardly the high-flyer, not like Rebecca’s husband.

Ruth had made a bad choice and it was obvious why. It was just to spite her mother. They’d never seen eye to eye and now she had chosen the one thing that she knew would really hurt.

Jane took pride in her family – liked to think that she’d instilled in them some old-fashioned values.

Rebecca had never hung around town late at night picking up boys – and what boys. The latest one had a tongue piercing – and a dotted line tattooed across his neck with a small pair of scissors labelled “cut here”.

What kind of guy was he this Richard? She doubted very much that Ruth even knew him very well. She knew he had a motorbike and was the sort of guy that Jane would despise. Jane would never welcome him into the family.

How better to hurt her mother than to marry him? Well it worked; all the years of spite and angst could not equal what she was doing this time.

If only Ruth wasn’t such a stubborn, wilful girl, she wouldn’t be dragging the family down in this way. Jane wished, not for the first time that she could disown her.

It was bad enough that she’d found them “at it” in her own bathroom but then to go and marry him? It was too much.

So what was Elizabeth going on about? The loose-minded woman. No doubt, she saw Ruth as another hard-luck case like an abandoned puppy or something.

No, Ruth had a lot of learning left and she, Jane was not going to shield her from any of it.

Dialogue

“Isn’t it the most perfect day Jane” Elizabeth gushed, her brow furrowed in concern.

“It’s October Elizabeth, who ever heard of a wedding in October? I may as well look around for thermal underwear” Jane was at her most caustic today. “Now, Rebecca, Rebecca; there’s a girl with sense, a June wedding, very sensible”

“As I recall Jane, you moaned all day that it was too hot and you were suffering from sunburn,” said Elizabeth archly.

“Hmmph well at least I didn’t have to go there looking like an Eskimo – it’s so unattractive.”

Elizabeth sighed inwardly and tried again “The weather is unseasonably warm Jane. Anyway I’m told the registry office is centrally heated”

“Office, yes office, why not a church?”

Elizabeth decided on a change of tack “Did you see the dress though Jane? She will look beautiful”

“I didn’t want to see it, it’s not as though it’s a wedding dress or anything. There won’t be a train or walking up the aisle will there?”

“I guess as long as she’s happy though?” Elizabeth’s voice squeaked with the effort of maintaining diplomacy.

“Happy, happy, what kind of selfish attitude is that? I give it six months, that’s all, six months”

“Richard seems a very nice lad” Elizabeth was tiring of the fight.

“If you don’t count the tongue piercing and the tattoos of course.”

“They all have those now I think”

“Well he isn’t tolerant enough for Ruth that’s for sure. I don’t think he’s had half enough time to realize what a vicious little wildcat she can be”

“What makes you think that, Jane? What evidence do you have?” Elizabeth, by now beaten decided to go with the flow.

“I’ll tell you why – she’s been going round like some old slapper. Mike last year, Derek six months ago and now Richard. Is it any surprise that she’s pregnant?”

Elizabeth gasped, “That’s a vicious thing to say, you’ve no evidence at all for that statement”

“Oh, come on, don’t be so naïve, she’s been hanging around him like a bitch in heat” Jane snapped.

“How can you say that about your own daughter?”

“You just have to look at her for God’s sake, how many brides do you know actually put on weight for their wedding?”

“I think you’ll find the dress size is exactly the same now as when she ordered it Jane.” Elizabeth was sounding exasperated. “You can’t just treat your daughter in this way Jane, you can’t. It will come back to haunt you if you do.”

Jane glared at her stubbornly “I have five daughters, Elizabeth, five and have any been so awful to me as this one? I don’t think so.”

“Ruth is a lovely girl, Jane, surely you see that” said Elizabeth, tears by now gleaming in her soft brown eyes.

Jane’s gaze was grey and piercing “I tell you, for all the pain this one has brought me, I wish I only had four daughters.”
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The Writing Manifesto

This was something unique to one of the courses. I had never before come across the idea of having a writing manifesto. This is a declaration – public usually of your policy and aims. Presumably any such declaration is going to be a forceful lever motivating you in your desired direction in this case writing).

https://www.huffingtonpost.com/grammarly/write-manifesto_b_5575496.html.

It’s a good idea before writing a manifesto of your own to look at manifestos that others have written for example:

The Futurists Italy 1909

Manifesto of Futurism

  1. We intend to sing the love of danger, the habit of energy and fearlessness.
  2. Courage, audacity, and revolt will be essential elements of our poetry.
  3. Up to now literature has exalted a pensive immobility, ecstasy, and sleep. We intend to exalt aggressive action, a feverish insomnia, the racer’s stride, the mortal leap, the punch and the slap.
  4. We affirm that the world’s magnificence has been enriched by a new beauty: the beauty of speed. A racing car whose hood is adorned with great pipes, like serpents of explosive breath—a roaring car that seems to ride on grapeshot is more beautiful than the Victory of Samothrace.
  5. We want to hymn the man at the wheel, who hurls the lance of his spirit across the Earth, along the circle of its orbit.
  6. The poet must spend himself with ardor, splendor, and generosity, to swell the enthusiastic fervor of the primordial elements.
  7. Except in struggle, there is no more beauty. No work without an aggressive character can be a masterpiece. Poetry must be conceived as a violent attack on unknown forces, to reduce and prostrate them before man.
  8. We stand on the last promontory of the centuries!… Why should we look back, when what we want is to break down the mysterious doors of the Impossible? Time and Space died yesterday. We already live in the absolute, because we have created eternal, omnipresent speed.
  9. We will glorify war—the world’s only hygiene—militarism, patriotism, the destructive gesture of freedom-bringers, beautiful ideas worth dying for, and scorn for woman.
  10. We will destroy the museums, libraries, academies of every kind, will fight moralism, feminism, every opportunistic or utilitarian cowardice.
  11. We will sing of great crowds excited by work, by pleasure, and by riot; we will sing of the multicolored, polyphonic tides of revolution in the modern capitals; we will sing of the vibrant nightly fervor of arsenals and shipyards blazing with violent electric moons; greedy railway stations that devour smoke-plumed serpents; factories hung on clouds by the crooked lines of their smoke; bridges that stride the rivers like giant gymnasts, flashing in the sun with a glitter of knives; adventurous steamers that sniff the horizon; deep-chested locomotives whose wheels paw the tracks like the hooves of enormous steel horses bridled by tubing; and the sleek flight of planes whose propellers chatter in the wind like banners and seem to cheer like an enthusiastic crowd.

The New Puritan Manifesto

  1. Primary storytellers, we are dedicated to the narrative form.
  2. We are prose writers and recognise that prose is the dominant form of expression. For this reason we shun poetry and poetic licence in all its forms.
  3. While acknowledging the value of genre fiction, whether classical or modern, we will always move towards new openings, rupturing existing genre expectations.
  4. We believe in textual simplicity and vow to avoid all devices of voice: rhetoric, authorial asides.
  5. In the name of clarity, we recognise the importance of temporal linearity and eschew flashbacks, dual temporal narratives and foreshadowing.
  6. We believe in grammatical purity and avoid any elaborate punctuation.
  7. We recognise that published works are also historical documents. As fragments of our time, all our texts are dated and set in the present day. All products, The Introduction to The New Puritan Generation 15 places, artists and objects named are real.
  8. As faithful representations of the present, our texts will avoid all improbable or unknowable speculation about the past or the future.
  9. We are moralists, so all texts feature a recognisable ethical reality.
  10. Nevertheless, our aim is integrity of expression, above and beyond any commitment to form.

A Writer’s Manifesto

I guess my most important aim is to entertain.

First commandment of popular fiction of any kind is (as the lovely Claudia Carroll once said): Thou shalt not bore. Quite right too.

Second aim – to say something.

I know this sounds a little vague but sometimes I read books that don’t actually say anything. They just potter along, telling a nice story, but not really going anywhere. I think books should have something solid rooted at the heart of them – a theme if you like. Sometimes that theme doesn’t make itself fully known until you finish the 1st or 2nd or even the 3rd draft, but it’s often bubbling away under the surface of your words, slowly rising to the surface. For example in the first Amy Green book I wanted to tell readers it’s OK to be yourself. In fact it’s pretty darn cool to be yourself. It’s a theme that runs through all the Amy Green books.

My third aim is to write with passion and with confidence.

I’ve been writing for many years now and I’ve started to understand what both these things really mean and how important they are. Write without passion and you’re doomed. The confidence bit – that can be learned over time. But if you write with both passion and confidence – then you might just have a pretty good book on your hands.

Tips for Producing a Manifesto

  • What are your aims when you write?
  • What symbols reoccur in writing?
  • Prose vs poetry?
  • What do you want to glorify?
  • What do you want to eschew?
  • What do you believe in?
  • What do you declare?

The manifesto is a mechanism for recognising why author’s write.

A manifesto is a declaration of intent – a public declaration of policy and aims. It will help your focus as you need to know why it is that you are writing.

A manifesto states what is important to you in your writing. The best place for your manifesto is on the wall somewhere you can see it to remind you why you are writing. In the first place the manifesto is for you.

At the time the manifesto I came up with was this:

Phil’s Manifesto

I write to enjoy the process

I write to enjoy the output for myself

I write so that other people will read my writing and will get enjoyment from reading it

I want to make a living from writing

I am keen to write novels

I will write of things in psychology that interest me

I will write of people in conflict with themselves or with others

I will write of people who escape “real life”

I will write attacks on the mundane, the boring, the routine

I will write prose rather than poetry

I will glorify freedom and escape

I will write of people with complex thought patterns

I will write of people who are small and boring

I will write about anyone who is protesting

I will eschew tediousness and boredom

I will eschew too much sanity or saneness

I will eschew routine

I will eschew “real life”

I wish to be published – a real book with paper not an e-book or a blog

I believe in rebellion as a method for change

I believe in not sticking to the status quo

However all these years later I think I would make a few changes to this manifesto now. Perhaps if there is sufficient interest I will write a new one.

 

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The Neighbours from Hell

I have been fascinated for a long time in stories about Hell.

On one of the writing courses one of the tutors suggested that we write a story about a neighbour from hell who was literally from hell. (As I mentioned in my earlier post https://magic-phil.co.uk/2018/02/13/on-the-theme-of-hell/)

For some reason this has captured my imagination and over time I have created different stories on this theme.

This is the first of these. Many of them are quite old now and I would rework them today.

But here it is unadulterated in case you like it.

Perhaps this will encourage me to produce more of the same in which case watch this space.

Story

Hi, I’m David and I’m a servant of the Devil.

Of course it isn’t obvious to look at me, I’m a balding middle aged civil servant but nonetheless I am Beelzebub’s man so to speak.  It started when we moved to a small estate in Tunbridge Wells.  I had never liked the place from the beginning.  But the price was right and Deirdre; yes, Deirdre just had to have the place.

It’s comfortable enough in a boring suburban way but any place that has a fridge and a sofa would suffice for me.  Deirdre though has to maintain “standards.”  That started almost the first day.  We had only recently moved in when Deirdre started on about meeting the neighbours.

“You should meet them David, you never know if he might be something important in The City, it doesn’t harm to network”

Frankly I couldn’t see the point in this, I’ve worked as a Junior Civil Servant for twenty years now and I see no obvious break in that career coming anytime soon.

“We should show we are good neighbours David, Go next door and introduce us.”

I noticed the “us” in that sentence and the very final ring to it.  A decision had been made, and I was to be the one to implement it.  I didn’t even dare sigh.  I shed the carpet slippers with regret – I had just got comfortable with The Sunday Times (one of my rare pleasures).

I am not naturally an outgoing person, I would happily leave the neighbours to themselves, however Deirdre had spoken.  (I am more frightened of Deirdre than the unknown quantity of the neighbours).

The house from a distance looked exactly like ours. It looked comfortable four-bedroomed detached with a beautiful white picket fence and a tidy arbour over a tiny front gate.

However as I approached the road appeared to darken and clouds began to gather. The gate began to look horribly distant when previously it had been mere feet from mine. I paused uncertainly. The charming arbour with red English rose seemed to be writhing like a nest of snakes. The pleasant curving aspect of a moment ago now seemed to me a gaunt gothic archway. I felt the challenge of the few steps to be too much. Something was definitely wrong.

However into my head rushed the vision of Deirdre: if I returned without having performed my little “task”.  The glare, the folded arms, that stare which told me what a pointless little individual I truly was.  I shuddered and then hastened on.

The tiny white gate now seemed to be of rusty iron (how strange what a change in perspective can do).  And the picket fence I noticed also iron – it reminded me uncomfortably of the cage surrounding a Victorian grave.

I girded myself for the short walk to the door.  This was ridiculous I told myself – a perfectly charming little place.  As I pulled, open the gate to a sound like wood tortured by a gale I distinctly heard the tolling of a resonant bell but from a great distance.  The grass surrounding the path swirled and twisted as if animated with menace, which seemed odd.  When I had set off the day was fine and clear – mere seconds ago.  It was as if the garden had weather of its own.  I realised that I had closed my eyes against the “illusion”.  As I opened them, I recognised that I had been wrong all along, the garden was dead, dry and brown, dusty grass bordered by dried out stumps of a herb garden.  I mused that they certainly needed to get the gardener in.

I hastened to the door – a plain white UPVC door with a faux brass knocker.  At last, I thought something sensible to latch onto.  I lifted the knocker and was amazed at its extreme weight and that it appeared to be hot like a pie direct from the oven.  I flinched immediately and the knocker fell with an enormous clash like hammer meeting anvil.

The door slowly swung inwards as if assisted from behind.  I could feel the sweat beads – clammy in my armpits and cold as they trickled down my ribcage.  “Hello is there anybody there”.

It must be a shy child, that’s it, hiding behind the door, that’s what it is.  I could feel myself trembling just a little.  But the vision of Deirdre firmly in my mind I stepped in.

The door slammed immediately shut behind me with a sound more normally associated with a massive door of oak closing on a vast frame.  I think I would complain to the double-glazing company I reflected whilst peering around what appeared to be an unusually vast hall.

Nothing at all like ours, I couldn’t even see the ceiling and the dining-room door seemed an impossibly long distance away.

Odd that they have the heating on, I remember thinking.  So strange in July, it’s like a real oven in here.  I could feel my white shirt become transparent as it fixed itself firmly to my spine – pulling it free was pointless.  It was more humid than a rainforest.  The neighbour must grow tropical plants I thought to myself.

“Hello, hello, I’m David; I’m your new neighbour”

I could hear the trembling highness of my voice.  I really did not want to be here any longer than I had to.  A quick hello and then go I assured myself.

I stepped into the impossibly long hall and perceived in the distance a standard hardboard-faced door.  Very retro I thought, time they had a man in to replace that.  The door seemed completely smooth and gleamed an impossible brilliance of white.

In front of it gyrating and jumping a Chihuahua.  It appeared to be a Chihuahua at any rate.  The yapping also had a familiar tone to it (Deirdre’s mother owns one; she says it is more fun to live with than her ex-husband ever was). I’ve always hated them; they seem perfectly capable of inflicting a very painful wound only to be swept up by the doting owner as if you had hurt them.

This one was strange though, it must have been the odd lighting but I could swear it seemed to have three heads!

The dining room door swung inwards with a scraping noise like stone dragged across massive stone.  This chap must be a sound effects man I thought, quite amazing the effects he can produce.  Well I sighed, that lets down Deirdre’s view of a chap in the city.

As I peered forwards (still apparently some yards from the doorway), I noticed their obscure taste in carpets. From this distance the red and grey carpet appeared like hot coals.

I halted, unsure what to do next, I was trespassing in somebody else’s house.  That bothered me quite a bit.  But the house was doing strange things to my mind.  That bothered me quite a bit more.  I am not naturally courageous.  (I’ve lived with Deirdre too long for that).  This was beyond my threshold for fear by one hundred percent.

I could almost feel a sense of panic rise within me.

Then a voice both sweet and soothing spoke directly into my ear as if the owner was stood right beside me.

“Mr Blythe, do come in, have a drink”

I didn’t remember to jump, I didn’t remember to be afraid, I couldn’t remember ever mentioning my name. I felt so relaxed so calm suddenly. Some distant voice was yelling “you’re in mortal danger, leave, leave now”. But that was only from inside my own head, I wasn’t about to pay attention to that when I could listen to this beautiful voice right here.

I turned slowly and looked straight into feral eyes.  Not human, more like a cat, devoid of any emotion, yet somehow echoing back concern and charm.  Subconsciously I was thinking I bet this man could con his way into the royal mint.  The face smiled, a smile without warmth, like the gape of a large carnivore.

I couldn’t remember moving, but I was sitting, relaxed in a very comfortable high-back chair. A glass of something was positioned conveniently by my right hand. The light was terrible everywhere in this house I determined. The glass seemed to hold a half pint of steaming blood (or at least blood colour liquid). Revolving slowly at the top of the glass appeared to be a large eyeball, which turned and fixed me with a baleful stare. I set the glass slowly on the floor to hide it. I did not wish to offend my host.

I hadn’t seen him, concealed as he was in shadows just opposite me in a chair very like the one I was occupying.  Somehow, his chair seemed vast in comparison with mine though, fully ten times the size.  I couldn’t imagine how I could have looked into his eyes only moments before.  Oh, this is ridiculous I told myself.

“Sorry I didn’t introduce myself, I’m David”

“Ah, yes, I know”

“Right, Right” I mentally tried to recall if we had met previously but I failed utterly.  I shivered.

“Yes well I’ve just moved in next door”

“More Deirdre’s choice than yours wasn’t it”

So he knew my wife as well?  “Sorry?”

“More Deirdre’s choice, you never liked the area?”

I recalled the first visit – even the drive up to the house had felt uncomfortable – I put it down to a head cold, but nonetheless I had been very glad to leave.

“Yes I suppose more Deirdre’s choice,” I mumbled

“I am just a piece of folklore of course”

“Of course, of course…………………………………………………………………what?”

“A piece of folklore, people can’t actually see The Devil”

“The what?  Sorry I thought I heard you describe yourself as the…”

“Devil, yes of course, but I am just a series of ideas, not a ‘thing’ as such”

“So how……..?”

“How can you see me?”

His eyes flashed yellow and at the same time, a stream of images began to play in my head.  I began to realise that Hell was not a place beneath the tarmac after all.

I had been living in it for the past forty-five years.

 

 

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